Tune in for episode 10 of A Damn Fine Cup of Culture, in which we look in on the Avengers & friends and a certain titan with a temper. Is Infinity War a worthy culmination of ten years of the Marvel Cinematic Universe? (Beware: heavy spoilers for Infinity War, including the ending.) Also, Mege’s looked into a different kind of infinity with Béla Tarr’s Sátántangó, and Matt wishes he hadn’t seen the trailer last year’s indie darling Lady Bird five times before watching the film, and we share our impressions of Jon Bernthal in Netflix’ The Punisher and Cécile McLorin Salvant in concert. Continue reading
Although I got the novel as a Christmas present, I only read Jeff VanderMeer’s Annihilation after seeing Alex Garland’s movie adaptation, finishing it last weekend. There are some adaptations that ruin the original for you, but that’s rarely been a major problem for me: if a story is enjoyable primarily because of what happens next, I usually don’t feel all that much of a need to read it in the first place. If there are interesting characters or ideas, if the prose is evocative and atmospheric – generally, if it’s the storytelling itself that makes the story thrilling or funny or generally engaging rather than what happens next – then I’m definitely up for experiencing a story more than once.
Tune in for episode 9 of A Damn Fine Cup of Culture, which looks back at the first season of Legion, one of the most unique and exciting superhero narratives – especially for those out there who have had it with men and women in suits saving the universe – after we briefly stop by the Ozarks for a quick spot of money laundering and TV drama, hang out on the desert planet with Alejandro Jodorowsky and friends and check out the gruesome murders and medieval mansplaining of Umberto Eco’s The Name of the Rose. Continue reading
If you’ll allow me to be crude for a moment: more often than not, gods are dicks. They’re narcissists and sociopaths. They crave your worship and don’t think twice of smiting you if you displease them the teensiest bit. They like a spot of sacrifice, ideally of the human kind – the bloodier the better. Whoever thought it was a good idea to give such hypersensitive, overpowered egomaniacs with the maturity of toddlers even the slightest bit of power?
What’s that you say? We did it? By believing in them, we invested them with power?
… literal theocracy sucks.
It’s somewhat surprising that Errol Morris’ Wormwood seems to be the first documentary to combine a cast with big names for the dramatic scenes with the traditional doc-staples of talking heads, collages, home movies and grainy photos. It’s a balancing act in more ways than one, and here, it seems to work, if only just. Wormwood is about the death of Frank Olson, who seemed to have fallen out of a 13th story hotel room window in New York and died on the sidewalk in his underwear. He was a CIA chemist who worked for the U.S. army and did research for biological warfare. For years, the story went like this: Olson, together with some of his workmates, was drugged with LSD in November 1953 for a new project about mind control, had a bad trip and finally committed suicide ten days later by leaping to his death. It was an accident, the CIA said, and they were sorry, and the Olson family got to meet President Johnson, who apologized for the tragedy, and the CIA promised to stop all mind-control projects, and that was that. Continue reading
Surprise! Just in time for Christmas 2017, we’re bringing you a very special (and damn fine, we hope) cup of culture. When we started talking about launching a podcast to complement our blog, we did a pilot episode – or, more accurately, a test run. Although we had no intention at the time to release the pilot, we’re still proud of it – warts and all. The sound quality isn’t at its best, but the energy is there, and we had a lot of fun talking about the BBC’s Sherlock – so we’re sharing it with you. Enjoy – and happy holidays!
Tune in for episode 5 of A Damn Fine Cup of Culture podcast, in which Mege and Matt discuss recent and upcoming films and TV series by and about African Americans – from Get Out and Loving to Black Panther and Dear White People. Also expect a mention of anarchic comedy (and surprise relationship drama) The Lego Batman Movie, the inventive The Good Place, a blast from the past with Freaks & Geeks and a return visit to 19th century Canada with Margaret Atwood’s Alias Grace.