Podcast

A Damn Fine Espresso: March 2026

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It’s the Return of the Wuthering Brides! For this month’s espresso, Alan and Sam got together to discuss two recent cinematic riffs on classics of 19th-century literature, with both books penned by, and both films directed by, women: Emerald Fennell’s “Wuthering Heights” (apparently the quotation marks are an integral part of the title, based on Emily Brontë’s novel, and The Bride!, directed by Maggie Gyllenhaal, which builds on both Mary Shelley’s Frankenstein and James Whale’s iconic 1935 film Bride of Frankenstein. How do the two films succeed, as adaptations and in and of themselves? Where do they come alive, reinvigorating the original material, and where are they haunted by the ghosts of what could have been? So join us as we run across the wily, windy moors with Cathy (Margot Robbie) and Heathcliff (Jacob Elordi) in order to do the Monster Mash with Frank (Christian Bale) and the Bride (Jessie Buckley)!

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A Damn Fine Cup of Culture Podcast #102: Three Christies

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It’s been hinted at once or twice on A Damn Fine Cup of Culture: we do like a good whodunnit, and we especially like a good cosy – or sometimes less cosy – crime. So it’s high time we assemble all the suspects in the drawing room and pay our respects to the Queen of Crime: Agatha Christie. In keeping with our semi-regular series of episodes on noteworthy trios, our chief investigators Alan, Sam and Julie have rounded up three adaptations of Christie’s stories for the screen: Murder She Said (1961), starring the formidable Margaret Rutherford; Evil Under the Sun (1982), which not only features Peter Ustinov as Belgian sleuth Hercule Poirot, but a delightful cast that includes Diana Rigg and Maggie Smith; and the episode “Five Little Pigs” (2003) from ITV’s long-running Agatha Christie’s Poirot, in which David Suchet dons Poirot’s iconic moustache. Why do these stories have lasting appeal? How do Christie’s plots survive the adaptation into a different medium? And why exactly do they let Kenneth Branagh do those ghastly modern adaptations? (Now that is the real crime.)

P.S.: For more on iconic trios, make sure to check out these past episodes:

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A Damn Fine Espresso: February 2026

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The show must go on: our recent podcast episode on Tom Stoppard’s Rosencrantz and Guildenstern Are Dead got Sam and Matt thinking. While there’s a long-standing link between the stage and the screen, theatre and cinema are nonetheless different forms of art. What makes theatre tick differently from film? What translates well from one format to the other, and what is lost in the process? Where could a lot of cinema perhaps learn from the stage? What films are there based on stage plays that survived the transition from one medium to another – and perhaps even benefited? And what movies escape the conventions of cinema and bring a dollop of theatrical magic onto the screen?

P.S.: For more theatre talk at A Damn Fine Cup of Culture, make sure to check out last year’s March espresso, in which Sam talks to Julie about putting Clare Boothe Luce’s Broadway play The Women – famously made into a film by George Cukor in 1939 – on the stage. And for a discussion of Miloš Forman’s brilliant film adaptation of Peter Shaffer’s Amadeus, may we recommend A Damn Fine Cup of Culture Podcast #53: Exactly the right number of notes – Amadeus (1984)?

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A Damn Fine Cup of Culture Podcast #101: Rosencrantz and Guildenstern Are Dead

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Heads. Heads. Heads. If you have a moment, why not join us as we flip coins and somehow always end up with the same result? In our February podcast, Julie, Sam and Matt remember the late, great Tom Stoppard, in particular his seminal play Rosencrantz and Guildenstern Are Dead (1966) and especially Stoppard’s 1990 film adaptation of the same title, which starred Gary Oldman, Tim Roth and Richard Dreyfuss. How does Rosencrantz and Guildenstern land only a couple of months after Stoppard’s death on 29 November 2025? How does this quintessential piece of metatheatre translate onto the screen? Is it better to be alive or dead in a box? Can we give you love and rhetoric without the blood? And was there a moment, at the beginning, when they could have said no?

P.S.: For more on Rosencrantz and Guildenstern Are Dead (both the play and the film), and on why Roger Ebert was wrong about the screen adaptation, check out Julie’s Six Damn Fine Degrees #176 from way back in April 2024.

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A Damn Fine Espresso: January 2026

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In our main podcast for the month, we celebrated our one-hundredth episode with Matt, Julie and original co-podcaster Mege, talking about the beginnings of A Damn Fine Cup of Culture. For this month’s espresso episode, we’re continuing the story: Matt, Alan and Sam met up in real life to record their first ever live podcast episode together. Join the three of them in their conversation about 2020, the year they joined A Damn Fine Cup of Culture, and their experiences since. How have they changed as podcasters? How do they keep things fresh and interesting, even after five years of podcasting? What are the episodes they remember best? And what are the topics they hope to do an episode about in the next five years?

P.S.: A big shout-out to the wonderful REX cinema in Bern, Switzerland for letting us meet up at their bar in early January (you can hear the gentle noise of other cinemagoers, glasses and espresso cups in the background) to record our conversation!

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A Damn Fine Cup of Culture Podcast #100: A Hundred Podcasts

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And suddenly, to our surprise, we find that we have reason to celebrate: not just the beginning of a new year, but our one-hundredth episode! After our small-scale beginnings back in 2017, a little over eight years later, we have arrived at this nice, round number (and that’s without even counting our monthly espresso episodes, which we started in April 2022). And for this occasion, we’re got something very special: Julie and Matt are joined by co-founder and Damn Fine O.G. Mege, who graced the podcast from its first episode until January 2020, though he has been back on an annual basis to contribute to our Christmas Specials. Join the three of them as they wax nostalgic and talk about the early days of A Damn Fine Cup of Culture: what was it like to jump into the podcasting pond? What were the challenges we had to overcome? What made Mege hang up his headset back in 2020? And what are some of our favourite episodes of those first couple of years?

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A Damn Fine Cup of Culture Podcast Christmas Special 2025

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It’s that time of the year again: when film geeks around the world argue about whether Die Hard and Batman Returns are Christmas films or not. The gang at A Damn Fine Cup of Culture has put together its usual Christmas Special episode, this time taking the topic of the year’s summer series, the Lost Summer, as a starting point: what, culturally speaking, have we lost this year… and what have we found? Join Matt, Julie, Alan, Mege and Sam as they ponder their Losts and Founds for 2025 – and everyone here at A Damn Fine Cup of Culture wishes you very happy holidays. Enjoy the remaining days of 2025, spend some quality time with your loved ones, and make sure to enjoy some damn fine films, series, books, games, songs, albums while you’re at it!

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A Damn Fine Espresso: December 2025

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We weren’t originally going to do an espresso podcast in December, but then the timing and theme of our main episode for the month almost made it obligatory for us to replan: since our recent episode “Ozmosis” only covered Wicked, the first part of the movie adaptation of the hit musical by Stephen Schwartz and Winnie Holzman, and not its 2025 continuation, Wicked: For Good, we are hereby remedying this. Join Matt and Sam as they take a trip to the Emerald City to talk about part 2 of this revisionist take on L. Frank Baum’s classic novel The Wonderful Wizard of Oz. Did they find the film a worthy follow-up to the 2024 hit? Are Cynthia Erivo and Ariana Grande still as effective as Elphaba and Glinda? Do the new songs live up to the best numbers of either part? And just how does The Wizard of Oz fit into Wicked? Follow us down the Yellow Brick Road for this concluding conversation in our final espresso of the year.

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A Damn Fine Cup of Culture Podcast #99: Ozmosis

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Arguably, the big event movie of this year’s holiday season is Wicked: For Good, the second part to last year’s hit film Wicked. (Sorry, Avatar fans, but that’s just how it is.) Most people loved the first instalment adapting the stage musical, which in turn adapted Gregory Maguire’s 1995 revisionist take on L. Frank Baum’s 1900 novel The Wizard of Oz and especially its iconic 1939 reincarnation as iconic Technicolor musical fantasy.

At the time this podcast was recorded, Wicked: For Good was just about to be released, prompting Sam, Alan and Julie to talk about the 2024 blockbuster and to revisit the Judy Garland classic. How does The Wizard of Oz stand up, and what does our trio think of the first Wicked film?

P.S.: Since we can do what Hollywood does as well, it is just about possible that we’ve split our discussion of Wicked into two separate podcasts. Watch out for the forthcoming December espresso, for good or for bad!

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A Damn Fine Espresso: November 2025

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Over the year, we’ve dedicated a number of episodes to the sadly departed David Lynch, his films, and his iconic TV series Twin Peaks. For our November espresso, Alan and Sam return to 2017 and to the third season of Twin Peaks that Lynch and his collaborator Mark Frost sprung on the world 26 years after we first tasted that cherry pie. For Sam, this was the first time he watched these 18 episodes, while for Alan it was an opportunity to revisit the entire series in one go. What are their thoughts on one of David Lynch’s last great works? How does it feel to return to Twin Peaks, Washington, the site of Laura Palmer’s murder, the focus of supernatural and surreal goings-on, after our loss of the man himself?

For more Lynch listening, don’t forget to check out these podcast episodes and posts:

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