Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.Continue reading
Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.Continue reading
Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest installment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.Continue reading
How’s that for galactic serendipity? For our 22nd episode, we’re strapping on our Infinity Gauntlets and snapping our fingers to discuss the 22nd film in the Marvel Cinematic Universe: Avengers: Endgame. Is it a worthy finale to the Infinity Saga or is it a titanic misstep? Were these particular fans serviced to their satisfaction or did they leave the cinema with a frown? Did we laugh, cry and cheer as the original Avengers line-up do their victory lap? Join us and find out! Beware: major spoilers for Infinity War and Endgame (and no, we don’t mean the play by Samuel Beckett)!
My reaction to Captain Marvel, the latest entry in the Marvel Cinematic Universe, was oddly split. On the one hand, I found the beginning of the film one of the dullest opening sequences of a Marvel movie in a while. The plot and overall structure was reminiscent of the earliest films in the franchise, to the point of feeling generic. The big set pieces were predictable and there was never really much of a sense of danger, even when Earth was at risk of being carpet-bombed from space. I fully understand the reviewers who consider Captain Marvel thoroughly mediocre Marvel fare.
And yet, I came to enjoy the film much more than its constituent parts would have led me to believe. In fact, I left the cinema with a big grin on my face.
I have walked 500 miles and much, much more, through virtual New Yorks, irradiated zones, Wehrmacht fortresses and zombie-infested streets. I’ve parkoured and teleported, I’ve driven, hovered and flown. Traversing spaces that only exist as zeroes and ones on digital media is one of the things that I love about video games, and it’s one of the things that modern gaming does so much better than the 8-bit pixelscapes I grew up with. It’s not even graphical fidelity, although that’s part of it; more than that, it’s that modern hardware allows for vastly more ambitious, three-dimensional environments, whether that’s the Hollywood realism of GTA V‘s parody of Los Angeles or the stylised aesthetics of Journey‘s deserts and snowy wastes.
Tune in for episode 10 of A Damn Fine Cup of Culture, in which we look in on the Avengers & friends and a certain titan with a temper. Is Infinity War a worthy culmination of ten years of the Marvel Cinematic Universe? (Beware: heavy spoilers for Infinity War, including the ending.) Also, Mege’s looked into a different kind of infinity with Béla Tarr’s Sátántangó, and Matt wishes he hadn’t seen the trailer last year’s indie darling Lady Bird five times before watching the film, and we share our impressions of Jon Bernthal in Netflix’ The Punisher and Cécile McLorin Salvant in concert. Continue reading
You don’t often come away from a Marvel movie thinking more about the ideas it tackles than about its snarky one-liners or its action setpieces. You don’t often read reactions to a Marvel movie that mention cultural critics, intellectuals and political thinkers. You don’t often see a Marvel movie being taken this personally by this many people, both among its supporters and its detractors. Obviously Black Panther must have done something right.
Tune in for episode 4 of A Damn Fine Cup of Culture podcast, but beware of the owls: Mege and Matt reminisce about Twin Peaks, the original series. Warning: if you don’t know who killed Laura Palmer, watch the series first! (Hint: It wasn’t the Log Lady.) Also, Mege takes a trip to the sci-fi-tinged Middle Ages through the eyes of Aleksei German and the Brothers Strugatsky, and Matt doesn’t hold back on the meagre charms of Danny Rand.
If you had told me a year ago that a Thor film would be one of my favourite Marvel movies in recent years, I would have looked at you like you were touched in the head, possibly by a mythical hammer. For me, the two first Thor films were firmly at the bottom of the MCU, kept company only by Iron Man 2. In fact, I would have said that the character Thor was my least favourite of all the main characters in Marvel’s cinematic universe (though I am not including the TV series in this reckoning, because, well, Danny Rand). Yes, thanks to The Avengers I could see that the big, blond lug had some potential, but mainly as a supporting character and as the butt of a bunch of jokes.
After Thor: Ragnarok, though? Well, let’s put it like this: if you’re looking for story or theme in an MCU film, the latest adventure of the God of Thunder won’t make you a convert. If you’re expecting a plot that is significantly different from, oh, pretty much every single Marvel movie since Iron Man, you’re out of luck. If you want a movie that fully embraces the silliness inherent in this ever-growing comic book universe translated onto the screen, though? Then hell, yeah – Thor: Ragnarok is an embarrassment of riches.