A Damn Fine Cup of Culture Podcast #35: Soderbergh’s Schizopolis, Schizopolis’ Soderbergh

d1ad56da-abce-4afe-9f45-79294aede9e3For our August episode, we welcome special guest Daniel Thron (of Martini Giant) to talk about what may be the least-watched film of Steven Soderbergh’s directing career: Schizopolis. How does this surreal, experimentalist and often downright silly comedy about doppelgängers, lifestyle cults and failures to communicate fit in the director’s oeuvre? How does Schizopolis point the way to Soderbergh’s later career? And how do Netflix, COVID-19 and TikTok come into the conversation?

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d1ad56da-abce-4afe-9f45-79294aede9e3For our August episode, we welcome special guest Daniel Thron (of Martini Giant) to talk about what may be the least-watched film of Steven Soderbergh’s directing career: Schizopolis. How does this surreal, experimentalist and often downright silly comedy about doppelgängers, lifestyle cults and failures to communicate fit in the director’s oeuvre? How does Schizopolis point the way to Soderbergh’s later career? And how do Netflix, COVID-19 and TikTok come into the conversation?

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Mad Men: Mindhunter (2017-2019)

There was a time when I thought that movie and TV storytelling should just keep away from serial killers for the next, oh, several decades? It’s not because of the horrific subject matter, it’s more that serial killers had become stale in the decade following Silence of the Lambs. The writing was usually lazy, the performances showy but empty, the genre as flat as a glass of Chianti left out in the open overnight. Every return to the psycho well brought with itself diminishing returns, to the point where even the Chef of them all, good old Hannibal Lecter, had been turned into a camp ham, barely any more frightening than the third rubber skeleton from the left in a tacky haunted house ride.

It was David Fincher’s underrated Zodiac (2007) that changed my opinion: here was a film about a serial killer that didn’t rehearse the same tropes. Instead, it told a different story, about the people who, looking for some sort of meaning, for the solution to what they think of as a puzzle, are sucked into the emptiness at the centre of these crimes – and, in some cases, consumed by it. A story where the serial killer isn’t the only one who is obsessed.

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I’ll be in my trailer… watching trailers: Have we reached the comic book singularity yet?

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest installment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

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I’ll be in my trailer… watching trailers: Oh, the croc, babe, has such teeth, dear

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest installment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

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I’ll be in my trailer… watching trailers: You can call him Al

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest installment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

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I’ll be in my trailer… watching trailers: Tigers and headcrabs and outlaws and psychics, oh my!

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest installment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

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I’ll be in my trailer… watching trailers: Curious, curiouser and straight-up WTFery

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest installment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

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Remember When, 2019 edition: El Camino

And hot on the heels of one (to my mind successful) exercise in pop culture nostalgia comes another. Remember how at the end of Breaking Bad you were left wondering what happens right after Jesse, free from his neo-Nazi captivity, speeds into the night in a stolen car, screaming and crying in catharsis? Well, wonder no more: we now know exactly what happens a few minutes later. Has there even been any other six-year wait this filled with trepidation?

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Seeing, being seen

When They See Us, the Netflix limited series directed and co-written by Ava DuVernay, is about the Central Park Five, the five kids, African American and Latino, who in 1989 were accused of assault and rape and sentenced to maximum terms based on nothing more than coerced false confessions, when they hadn’t been anywhere near the scene of crime. The series is about racism and about a legal system designed not to find the guilty but to fabricate them. It is about how a deeply broken system failed the five accused. In telling a story about the late ’80s and early ’90s, it is also very much about present-day America and about how the system is still just as corrupt in many ways. The law may be many things, but if you’re black, don’t expect it to be just.

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A Damn Fine Cup of Culture Podcast #17: The Haunting of Hill House

d1ad56da-abce-4afe-9f45-79294aede9e3This month Mege and Matt are visiting with the Cranes at Hill House. Will we make it out alive or will we be stuck forever with the shades and phantoms wandering its forlorn corridors? We also stop by Colombia, fashionably late, to talk about Narcos and its take on Pablo Escobar, and we catch a glimpse of the American criminal justice system as illustrated by Cleveland, Ohio, guided by Sarah Koenig & Co., in the third season of Serial.

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