A Damn Fine Espresso: September 2026

In this month’s main podcast episode, we talked about the tactile fantasy movies of the 1980s. But what happened afterwards? The phase between Jurassic Park and Peter Jackson’s The Lord of the Rings trilogy was probably the peak of a period where the traditional, tactile ways of doing visual effects and the new hotness of CGI overlapped. Then things very much went in the direction of mostly, or even exclusively, CGI – to a large extent at the expense of the tactility of effects work and a certain homogenisation of what visual effects looked like. But does this mean that special effects and visual effects are objectively worse than they were in the 1980s? Can effects still be spectacular and tactile in 2026? Join Alan and Matt as they take two effects-heavy films of the year – Christopher Nolan’s The Odyssey and Star Wars spin-off The Mandalorian and Grogu – to look at how these use effects, and how, in certain ways, they retain the spirit of late 20th century special effects work. Where do VFX in the 21st century fail, and why – and where are they just as magical as what our podcast baristas grew up with? What upcoming effects-driven films are they looking forward to? Join our September espresso for a conversation that goes from the stop-motion magic of Ray Harryhausen via James Cameron’s Avatar franchise to a certain nuclear lizard that likes to plague Tokyo!

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I’ll be in my trailer… watching trailers: Reach out and touch it

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Alan’s series on the Academy Award Best Picture winners through the ages has arrived in 1938 with its eleventh episode: Frank Capra’s You Can’t Take It With You.

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A Damn Fine Cup of Culture Podcast #108: Summer of Genre – Tactile Fantasy

Our Summer of Genre comes to an end: in this month’s podcast, Alan returns to a genre that was a favourite of his during his childhood. He is joined by Sam and Matt to discuss what they call ‘tactile fantasy’: those (largely) pre-CGI films that used physical special effects, miniatures, puppetry and stop-motion to bring the tactile to the screen, from evil, ravenous dragons to 18th century fabulists flying on cannon balls. Starting with the 1981 dark fantasy Dragonslayer, continuing with Jim Henson’s 1982 cult classic The Dark Crystal and concluding with Terry Gilliam’s grand folly The Adventures of Baron Munchausen (1988), our trio remembers a genre that has largely been supplanted by digital visual effects. What is the magic of tactile fantasy? How well do these films hold up in a post-Jurassic Park world, where bits and bytes can come together to create pretty much anything filmmakers can imagine? Was CGI the only reason why this era of cinema ended? And is tactile fantasy gone entirely from our screens in this day and age?

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I’ll be in my trailer… watching trailers: Lovely crinkly edges

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Since the end of August is almost upon us, we released our Shortcuts for the month this week, featuring (among other things) Fatih Akin’s 2025 historical drama Amrum.

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I’ll be in my trailer… watching trailers: Down they fall as up they grow

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

It’s been a while, but Matt has been at the Criterion cabinet again – watching all 14 episodes of Rainer Werner Fassbinder’s Berlin Alexanderplatz.

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A Damn Fine Espresso: August 2026

In the August instalment of our Summer of Genre, we talked about that most ’70s of genres: the disaster movie. But the genre didn’t vanish after its heyday following the release of Airport in 1970: especially in the 1990s, as CGI made it possible to put bigger, badder, more destructive disasters on the screen, we got tornadoes, volcanoes, asteroids, often in double, as with Dante’s Peak and Volcano or Deep Impact and Armageddon. The biggest, most successful disaster movie of the era, however, was James Cameron’s epic Titanic, which combined the historical disaster with a love story between teen heartthrob Leonardo DiCaprio and Kate Winslet, who three years earlier had burst onto the scene with Heavenly Creatures and was well on her way to becoming a superstar. Titanic was at risk of becoming a disaster itself, but when it finally was released in late 1997, it became not just the highest-grossing film of the year but indeed the highest-grossing film of all time – until Cameron’s next film, Avatar. Join Sam and Julie for our August espresso as they sneak aboard that grand, doomed ocean liner. Did Titanic save the disaster movie genre, or did it sink it for good? And how well does Cameron’s blockbuster hold up almost thirty years after it originally came out?

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I’ll be in my trailer… watching trailers: Flesh and follies

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

In Alan’s countdown of Academy Award Best Picture winners from the very beginning of the Oscars, he’s arrived in 1936 with The Great Ziegfeld. The film stars William Powell, so Alan’s bound to love it. Right?

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I’ll be in my trailer… watching trailers: All That Was East Is West Of Me Now

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Earlier this week, the singer-songwriter and actor Glen Hansard died after a motorcycle crash. You could do worse than to rewatch (or watch for the first time) Once in his memory.

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A Damn Fine Cup of Culture Podcast #107: Summer of Genre – Disaster!

When it comes to genre, there is one especially that is instantly recognisable. The moment someone says, “This ship cannot sink/this building cannot burn/this plane cannot crash!”, you know you’re in a disaster movie. The genre flourished for a brief period in the 1970s, but it never reached those heights again: even if there is the occasional disaster movie these days, it doesn’t have the draw of the classics of the genre, and it certainly doesn’t have the same kind of cross-generational star power that seems right out of a ’70s Agatha Christie film. In the third episode of our Summer of Genre, Sam, Matt and Alan look at three undisputed classics of disaster movies: Airport (1970), The Poseidon Adventure (1972) and The Towering Inferno (1974). How do these films hold up more than 50 years later? What made the genre tick, and why was it such a staple of Hollywood cinema in the ’70s? Why was its reign so brief? And what place has big-screen disaster in today’s movie landscape?

P.S.: For more on disaster movies, make sure to check out Sam’s Six Damn Degrees post on “Pandemic and Disaster in The Cassandra Crossing”!

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