I’ll be in my trailer… watching trailers: What’s ‘femme fatale’ in Japanese?

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

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Six Damn Fine Degrees #12: A Fish Called Wanda

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

One of the ironies of life is that John Cleese, responsible for some of the most (in)famously absurd sketches in Monty Python’s Flying Circus, is more renowned for his work on comparatively unadventurous, straight comedies, two of them being Fawlty Towers and A Fish Called Wanda. And yet, it’s no accident that both are revered: they’re deliciously funny and incredibly mean-spirited, yet brimming with an inimitable charm nonetheless.

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The Compleat Ingmar #20: The Silence (1963)

I was not prepared for the extent to which Ingmar Bergman’s oeuvre would embrace the uncanny. He may not be a David Lynch, but where Lynch’s nightmares are often emphatically surreal, Bergman’s use of the dreamlike is more subtle, more psychological, and probably more Freudian – though not in the overly literal way that pop-Freudians tends to go for. Unless we’re talking about Hour of the Wolf, which indeed feels like proto-Lynch in its final third, Bergman’s onereic sequences – when they are not explicitly dreams, as for instance in Wild Strawberries – always leave it up to the viewer whether what they are seeing is really happening or not, and to what extent it is filtered through, or even distorted by, a character whose perception is less than reliable.

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I’ll be in my trailer… watching trailers: Tools, weapons, and Nicholas Cage

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

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Six Damn Fine Degrees #11: Martin Landau

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

Would you have guessed who the young and apparently artistically gifted man in the image below is? Well, reading about him in the last Six Damn Fine Degrees post by Julie, I was reminded of how often this enormously talented actor has been a saving grace and the secret star of so many movies and TV shows I love. And therefore I decided to dedicate this eleventh post to him!

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The Corona Diaries: “Backlog” is just another word for great films you can still look forward to

It’s been a while since we posted one of these. In the meantime, 2020 is history, but 2021 is aiming to show its elder that it can be just as much of a pest. (As someone said: 2021 is shaping up to be the mutated version of 2020.) Will the vaccine help? Perhaps, at least I hope so, but for now we’re left to wait and see. While we were lucky in Switzerland that cinemas were open for half the year, they’ve now been closed since October, and the day on which they can open again seems to be moving further and further into the distance. In the spring of 2020, Mege posted this photo of one of the local cinemas:

Back then, this seemed like an optimistic act of defiance. These days, when I pass the building, it still says the same, but that “Coming soon” sounds like a feeble act of denial.

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I’ll be in my trailer… watching trailers: Trust no one (except us, of course)

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

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A Damn Fine Cup of Culture Podcast #40: Star-Spangled Paranoia

Ah, 2021. We expected so much of you, but you decided to one-up your predecessor. The events of the last week have made John Frankenheimer’s paranoia classic The Manchurian Candidate (1962) look surprisingly sedate – who needs one sleeper agent brainwashed by hypnosis into becoming a terrorist when you can mobilise thousands via Twitter and distorting reality? Nonetheless, The Manchurian Candidate retains all of its unsettling potency. Join Julie, Sam and Matt – and quite possibly exactly 57 card-carrying members of the Communist Party – as they talk about Frankenheimer’s seminal film and why it still works so well. (One part of the answer is obviously Angela Lansbury.) So, instead of passing the time with a game of Solitaire, why don’t you join us as we explore not only this classic film of political and personal paranoia but the rich seam of paranoia that goes through American cinema?

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Six Damn Fine Degrees #10: Ed Wood

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

Johnny Depp as Edward D. Wood Jr.

If there ever was a prime example of positive thinking gone awry, it has to be Tim Burton’s interpretation of Edward D. Wood Jr.

A filmmaker in the 50’s, an era of highly localized and diversified cinema where there was still a space for worse-than-B grade films, the real Ed Wood’s two best known films are Glen or Glenda and Plan 9 from Outer Space. He is most noted for being voted the worst director of all time, posthumously, in 1980. It is clear he wanted to make extraordinary movies, but lacked everything, from money to quality control to, well, competence. But they do have… personality.

Note: spoilers below…

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I’ll be in my trailer… watching trailers: Silence on set, please!

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Continue reading