One Best Picture After Another #11: You Can’t Take It With You (1938)

Welcome to One Best Picture After Another – where I attempt to watch all the winners of the Academy Award for Best Picture, starting at the very beginning. And attempt to answer two simple questions – is the film still actually any good? And why did it win?

6/10

There’s a term that’s sometimes used to refer to the works of Frank Capra that I dislike. It’s “Capra Corn”. It feels too much like a sneer at the director who genuinely tried to make popular cinema, and embraced storytelling that would be emotionally engaging to the widest possible audience. I always want to push back against it, to celebrate an innovative director and his earnest attempts to make intelligent, heart-warming cinema.

But, bloody hell, he sometimes makes that difficult.

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I’ll be in my trailer… watching trailers: Lovely crinkly edges

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Since the end of August is almost upon us, we released our Shortcuts for the month this week, featuring (among other things) Fatih Akin’s 2025 historical drama Amrum.

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Six Damn Fine Degrees #301: The Nightmare Fuel of “Sapphire And Steel”

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

I can vividly recall a number of recurring dreams I had as a child that terrified me. One involved a burning photo, with the person in the image seemingly aware they were on fire. Another involved discovering that people, when hugged, would crumble into nothing. But worst of all would be to be unsettled by a man with his back to me. Only for him to turn around and reveal that he did not have a face.

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I’ll be in my trailer… watching trailers: You wouldn’t pick a pocket

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Time keeps on slippin’, slippin’, slippin’: in his series on the Academy Awards Best Picture winners, Alan has arrived at 1937’s The Life of Emile Zola.

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Six Damn Fine Degrees #300: Stephen King‘s IT (1990)!

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

At a time when Matt would geek out with his fellow uni pals over ’90s TV series on a regular basis, I was still stuck in a positively rural Swiss middle school just getting into taping films and shows and sharing them with people in my class. It was actually my very tech-savvy grandfather who was the innovator in our family and had not only bought the first computer (a Commodore Amiga) but more recently a double-decker video cassette recorder. Which meant that we were finally getting his hand-me-down, our first family VHS player/recorder! So at the tender age of twelve, I finally got my hands on anything from Star Wars, Star Trek, Alfred Hitchcock and, of course, James Bond. Many of these recordings were missing bits at the beginning or at the end, were shown in questionably censored pan-and-scan versions and were of course dubbed in German. Nonetheless, the good ones got through to us and – unequipped with cell phones or social media – the schoolyard became the arena in which we would review, pan or marvel at the latest tapes making the rounds.

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One Best Picture After Another #10: The Life Of Emile Zola (1937)

Welcome to One Best Picture After Another – where I attempt to watch all the winners of the Academy Award for Best Picture, starting at the very beginning. And attempt to answer two simple questions – is the film still actually any good? And why did it win?

6/10

A surprising number of Best Picture winning films can be described as “Truly Forgotten”. For all their success at the time, they have left no cultural trace. They don’t get shown again in retro cinemas, nor do they get fancy extras-laden 4K Criterion releases.

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I’ll be in my trailer… watching trailers: Down they fall as up they grow

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

It’s been a while, but Matt has been at the Criterion cabinet again – watching all 14 episodes of Rainer Werner Fassbinder’s Berlin Alexanderplatz.

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A Damn Fine Espresso: August 2026

In the August instalment of our Summer of Genre, we talked about that most ’70s of genres: the disaster movie. But the genre didn’t vanish after its heyday following the release of Airport in 1970: especially in the 1990s, as CGI made it possible to put bigger, badder, more destructive disasters on the screen, we got tornadoes, volcanoes, asteroids, often in double, as with Dante’s Peak and Volcano or Deep Impact and Armageddon. The biggest, most successful disaster movie of the era, however, was James Cameron’s epic Titanic, which combined the historical disaster with a love story between teen heartthrob Leonardo DiCaprio and Kate Winslet, who three years earlier had burst onto the scene with Heavenly Creatures and was well on her way to becoming a superstar. Titanic was at risk of becoming a disaster itself, but when it finally was released in late 1997, it became not just the highest-grossing film of the year but indeed the highest-grossing film of all time – until Cameron’s next film, Avatar. Join Sam and Julie for our August espresso as they sneak aboard that grand, doomed ocean liner. Did Titanic save the disaster movie genre, or did it sink it for good? And how well does Cameron’s blockbuster hold up almost thirty years after it originally came out?

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Six Damn Fine Degrees #299: VHS tapes, space stations and vampire slayers

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

I had the best start at Uni that any mid-’90s geek could have wished for: on my first day as a university student, I was introduced to another student who’d already been studying for a couple of years and who was a fellow geek, so before I’d even started signing up for seminars and lectures, I found that the place where I would be spending much of the next ten years or so (yes, I did hang around at Uni for a fairly long time), there was a bunch of likeminded people who were just as much into the geeky fare of the time as me. Star Trek: The Next Generation, Deep Space Nine, and especially the still relatively new hotness that was The X-Files: differently from school or from home, where I was pretty much the only one who was into these series, people here were just as excited as I was about Captain Picard, Data, Commander Sisko, Major Kira, Odo, Agents Mulder and Scully, Assistant Director Skinner, The Cigarette Smoking Man, and all the other heroes, villains, monsters and freaks.

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