Six Damn Fine Degrees #20: Dubbed and snubbed – the secret voices of Hollywood

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

Question: Do you think this is actually Audrey Hepburn singing the wonderful “Moon River” from Breakfast at Tiffanys (discussed in last week’s post by Alan)?

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Six Damn Fine Degrees #15: The Talented Mr. Finney

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

I have yet to see his romantic performance alongside Audrey Hepburn in Two for the Road, which Matt so vividly described in last week’s post, but there has been so much evidence of enormous versatility in his career, that I wanted to dedicate my post to him (who left us only two years ago, on 7th February, 2019, just two weeks prior to Stanley Donen, director of Two for the Road). To me, he will always be the actor with that special edge – the incredibly talented Mr. Albert Finney.

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Six Damn Fine Degrees #11: Martin Landau

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

Would you have guessed who the young and apparently artistically gifted man in the image below is? Well, reading about him in the last Six Damn Fine Degrees post by Julie, I was reminded of how often this enormously talented actor has been a saving grace and the secret star of so many movies and TV shows I love. And therefore I decided to dedicate this eleventh post to him!

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Six Damn Fine Degrees #5: Jerry Goldsmith – Hollywood’s golden composer

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

Following up on Eric’s deep space exploration of the not-so-beloved Star Trek – The Motion Picture, I was reminded of how much of what we are supposed to believe and feel about the film’s improbable plot and presumed depth is achieved by its soundtrack: the grandeur of the USS Enterprise, the viciousness of Klingon aggression or the prolonged mystery surrounding V’ger are all greatly heightened and intensified by that one composer who more than once saved Star Trek (and Hollywood!) with his music: Jerry Goldsmith (1929-2004).

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