I’ll be in my trailer… watching trailers: A sky the colour of a television tuned to a dead channel

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Remember when the future was neon and everything was cyber? Matt has spent much of the last couple of months in Night City, the exhausting but fascinating virtual world in which Cyberpunk 2077 is set.

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I’ll be in my trailer… watching trailers: Lazy Sunday, wake up in the late afternoon

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

When people think of John Ford, they mostly think Monument Valley and the like – but, in the case of one film that is perhaps unfairly remembered most for beating Citizen Kane to the Best Picture Award at the 14th Academy Awards, Ford told a story set in a Welsh mining town. Check out Alan’s entry on How Green Was My Valley in his One Best Picture After Another series.

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I’ll be in my trailer… watching trailers: Let them eat cake (and watch trailers)

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

After having had Yi Yi on his shelf for years, Matt finally got around to watching not only his first Edward Yang film, but his second (A Brighter Summer Day) and third (Yang’s episode in the anthology film In Our Time) as well. He writes about two of these in his recent Criterion Corner entry.

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I’ll be in my trailer… watching trailers: Would you say BOO to a goose?

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

It’s been a busy week at A Damn Fine Cup of Culture, starting with Alan going to Manderley again, in the latest instalment of One Best Picture After Another. Just how well does Alfred Hitchcock’s Rebecca (1940) hold up?

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I’ll be in my trailer… watching trailers: The Box Office Number of the Beast

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

In his zigzagging journey through the Criterion Collection, Matt arrived at release #1319: Martin Ritt’s Hud, a bleak revisionist Western starring Paul Newman in one of his darkest parts. Well worth watching – but the film couldn’t be further from a certain other Western featuring Newman.

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I’ll be in my trailer… watching trailers: Frankly, my dear

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Not all of the films that Alan has written about in his chronology of Best Picture winners are much known these days – but it’s likely that every film fan has at least heard of the 1939 winner: Gone with the Wind.

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I’ll be in my trailer… watching trailers: The End is the Beginning is the End

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

A coming-of-age story… in the format of an indie pixel-art point-and-click adventure? Well, Perfect Tides did a great job of this, so why not check out its follow-up, Perfect Tides: Station to Station, which Matt liked a hell of a lot?

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I’ll be in my trailer… watching trailers: Reach out and touch it

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Alan’s series on the Academy Award Best Picture winners through the ages has arrived in 1938 with its eleventh episode: Frank Capra’s You Can’t Take It With You.

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I’ll be in my trailer… watching trailers: Lovely crinkly edges

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Since the end of August is almost upon us, we released our Shortcuts for the month this week, featuring (among other things) Fatih Akin’s 2025 historical drama Amrum.

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I’ll be in my trailer… watching trailers: You wouldn’t pick a pocket

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Time keeps on slippin’, slippin’, slippin’: in his series on the Academy Awards Best Picture winners, Alan has arrived at 1937’s The Life of Emile Zola.

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