2025

This Sunday, the 97^th instalment of the Academy Awards, more commonly known as the Oscars, will be awarded in Hollywood. In keeping with the times, it has been an uncommonly heated lead-up to this year’s awards, and not everyone is a big fan of the line-up – but it is undeniably a very varied Oscars year, and the big nominees range from the controversial (Emilia Pérez) via the outlandish (body horror favourite The Substance) to the monumental (The Brutalist with its run time of over 3½ hours). Will 2025 be the kind of year where one film sweeps most of the awards, or will the Tinseltown love be spread out across musicals, biopics, dramedies, ecclesiastic thrillers and sci-fi sequels? Join Matt, Julie and Sam as they talk predictions and favourites – and make sure to tell them how wrong they were come Monday!

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Welcome to 2025! We’re taking the new year as an opportunity to look both forward and into the past – and to do something we’ve never done before: for the very first time (no, Robin Beck, we don’t mean you!) we’ve recorded a conversation featuring all four of the damn fine core podcasters: Alan, Julie, Matt and Sam. In the first episode of the year, we’re having a look at the cups of culture (mostly film) that came out in 1925, 1950, 1975 and 2000, from Marion Davies and Zander the Great via the wonderfully meta double bill All About Eve and Sunset Boulevard and ’70s greats such as Jaws and Chinatown to the still futuristic-sounding year 2000, which brought us films as different as Gladiator, Memento and In the Mood for Love. We cap off our conversation about a century of cinema with a look at the year to come and the films we’re anticipating the most. Wishing everyone a damn fine year, or indeed century!