Criterion Corner: Moonstruck (#1056)

I’ve said so in the past: I’m the wrong person to talk to about romantic comedies. I don’t dismiss the genre altogether, but I find too many of them twee, manipulative and rather toxic, and that has coloured my perception of the genre as a whole. All too often, these films embrace iffy ideas of what relationships are and what they’re supposed to be, and even when they try to be hip and with it, they tend to espouse notions of gender that aren’t just heteronormative but downright reactionary.

But: I love it when a romantic comedy really hits. And Norman Jewison’s 1987 hit Moonstruck – which went on to win multiple Academy Awards – is certainly a prime example of this.

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I’ll be in my trailer… watching trailers: The Two Nicks

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Time flies yet again: we’re already at the second trailer post of 2023 – and it begins with the classic Bong Joon-ho joint Memories of Murder, which Matt wrote about earlier this week.

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