I’ll be in my trailer… watching trailers: Galactus ate my baby!

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

This week, Alan risked the wrath from villagers and… older powers in order to bring us a Six Damn Fine Degrees post about folk horror, touching on recent movies Starve Acre, Fréwaka and I Saw the TV Glow.

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Six Damn Fine Degrees #230: Modern Folk Horror

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

A world away from the urban landscape and its City Lights lies the genre of Folk Horror. But what is “folk horror”? One of the trickiest aspects of a discussion about any film genre is to pin down a good definition. I do rather like what Wikipedia succinctly offers on this score at the start of their entry on the subject:

Folk horror is a subgenre of horror film and horror fiction that uses elements of folklore to invoke fear and foreboding.”

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I’ll be in my trailer… watching trailers: Les dents de la Seine

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Isn’t it typical? A good new animated series is cancelled after only one season. At least in the case of Scavengers Reign (which Alan wrote about in this week’s Six Damn Fine Degrees) the series was picked up by Netflix… even though they’re only showing it in select countries. Isn’t it typical?

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