I’ll be in my trailer… watching trailers: Crying Wolf

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

From the invaluable supporting actors to the hidden gems of cinema and TV: sometimes it isn’t the main events, the Brad Pitts and Jennifer Lawrences, the Oppenheimers and the Barbies, that we gravitate to. In this week’s Six Damn Fine Degrees, Mege pinpointed some of those gems that take some looking for – including the fascinating Finnish historical horror film, Sauna.

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A Damn Fine Cup of Culture Podcast #81: Summer of Remakes – The Man Who Knew Too Much

It’s that time of the year again: A Damn Fine Cup of Culture is dedicating its next four main episodes to a single theme. After 2022’s Summer of Directors and last year’s Summer of Collaborations, this year’s hot months are dedicated to remakes. And yes, remakes tend to get a bad rap from film fans, but there’s enough there that is interesting, fascinating and worth watching – and, yes, in many cases worth criticising. We think we’ve picked an interesting bunch of films and remakes, and we’re starting with a special case of one of the greats of Hollywood cinema remaking one of his own films: Alfred Hitchcock and The Man Who Knew Too Much. First in 1934, in one of his British films, and then again in 1956, Hitchcock told the same overall story of a couple whose child is kidnapped because of a secret plot they’ve uncovered by accident – but while a lot is the same, from the basic setup to the climax at the Royal Albert Hall, these are still two very different flavours of Hitchcock. Join Sam and his co-baristas Julie and Matt as they discuss multiple men who knew too much. What does each version bring to the table? Which did we prefer? If we had to choose, what would we go for: Peter Lorre’s pitch-perfect baddie or Doris Day belting “Que Sera, Sera”?

For further listening on Alfred Hitchcock, make sure to check out our earlier episodes, “The Good, the Bad and Alfred Hitchcock” (#33) and last month’s “Swan Song” (#80), in which Alan and Sam talked about the final films of Hitchcock and Billy Wilder.

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