A Damn Fine Cup of Culture Podcast #82: Summer of Remakes – Wages of Fear and Sorcerer

Our Summer of Remakes podcast series continues with its second episode: after June’s Hitchcock double bill, we’re changing country (at least once) but staying with thrills and suspense. Imagine being stuck in a dead-end town, together with other men with murky pasts and little to lose, and with little hope of ever making it out – and now imagine a big corporation offering you a ticket out of there. The only catch? You have to drive a truck loaded with volatile nitroglycerin over treacherous dirt roads. Simple as that. This is the story of Georges Arnaud’s 1950 novel Le Salaire de la peur, and to date it has been turned into two memorable films: The Wages of Fear (1953) by Henri-Georges Clouzot, starring Yves Montand, and Sorcerer (1977), directed by William Friedkin and starring Roy Scheider. Join Alan, Julie and Matt as they discuss these two versions of the story. Where do the original and the remake (though Friedkin did sometimes deny that Sorcerer was one indeed) make the same or similar choices? Where do they diverge? And to what effect?

For more on the films of William Friedkin, check out our 2023 Halloween episode on The Exorcist (feat. the one and only Daniel Thron), recorded shortly after Friedkin’s death.

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A Damn Fine Cup of Culture Podcast #35: Soderbergh’s Schizopolis, Schizopolis’ Soderbergh

d1ad56da-abce-4afe-9f45-79294aede9e3For our August episode, we welcome special guest Daniel Thron (of Martini Giant) to talk about what may be the least-watched film of Steven Soderbergh’s directing career: Schizopolis. How does this surreal, experimentalist and often downright silly comedy about doppelgängers, lifestyle cults and failures to communicate fit in the director’s oeuvre? How does Schizopolis point the way to Soderbergh’s later career? And how do Netflix, COVID-19 and TikTok come into the conversation?

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d1ad56da-abce-4afe-9f45-79294aede9e3For our August episode, we welcome special guest Daniel Thron (of Martini Giant) to talk about what may be the least-watched film of Steven Soderbergh’s directing career: Schizopolis. How does this surreal, experimentalist and often downright silly comedy about doppelgängers, lifestyle cults and failures to communicate fit in the director’s oeuvre? How does Schizopolis point the way to Soderbergh’s later career? And how do Netflix, COVID-19 and TikTok come into the conversation?

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