I’ll be in my trailer… watching trailers: Back from the dead, and twice as bad

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Norman Bates is back! Well, not exactly – but for this week’s Six Damn Fine Degrees, Matt wrote about his positive but patchy memories of Psycho II, and the reasons why he doesn’t particularly want to go back and find out whether the film was really surprisingly good or whether at the time it just benefited from really low expectations (and Meg Tilly, obviously).

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Six Damn Fine Degrees #148: Memories of murder… of sorts

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

I was a teenager when I first watched Alfred Hitchcock’s iconic Psycho – though at the time I’d already picked up much of the plot through cultural osmosis, including that twist. As a result, there was little in Psycho that surprised me, except for this: even with me knowing who’d get killed how, why, and by whom, the film was still supremely tense. And that’s still true now, dozens of years later: as much of a cliché as the shower scene has become, for instance, it still works. It’s still one of the best scenes of its kind, and it’s difficult to top.

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