Six Damn Fine Degrees #150: Serial killings

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

When Alfred Hitchcock made Psycho in the late 1950s, did he ever consider that his film, that most classic of slasher movies, would spawn four sequels (one of which would ignore its two predecessors to then be ignored in turn by Psycho IV), a shot-by-shot remake, and a five-season TV series focusing on the young Norman Bates? Then again, in the world of horror movies, that’s not all that impressive: there’ve been six Scream films to date, and a seventh is in the making. There’ve been three Exorcist films followed by two versions of the fourth film (one by Paul Schrader, one by Renny Harlin, obviously two directorial peas in a pod), and a new trilogy is about to launch in a week or so with The Exorcist: Believer. Everyone’s favourite homicidal doll Chucky got his murder on in eight films so far. Freddy Krueger has ruined teenagers’ dreams nine times so far. Bad, bad things have happened to vulnerable bodies ten times in the Saw franchise. Michael Myers (no, not that one!) has folded, spindled and mutilated the folks of Haddonfield and beyond in (wait for it) thirteen films. (Okay, that is not 100% correct, but that is something for another post, and probably not one written by me.)

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I’ll be in my trailer… watching trailers: This post belongs in a museum

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

This week, our Six Damn Fine Degrees took us to a concert by The Cure. Which doesn’t exactly lend itself to trailers… unless we stretch things a bit, which is entirely in keeping with Six Damn Fine Degrees. So, please enjoy this trailer for the psychological horror film Cure by Kiyoshi Kurosawa. And when I say “enjoy”, what I really mean is “please be majorly freaked out by”.

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A Damn Fine Cup of Culture Podcast #63: Monosyllabic horror

Is there anything more terrifying, more capable of evoking fear, than the one-syllable word? Obviously yes – but it is still noteworthy how many recent horror films have gone for a monosyllabic title (which suggests that A24 may have a limited contingent of syllables to make up their titles). In our latest podcast, Alan is joined by Julie and Sam to talk about three recent horror films whose titles fit into a single syllable: Julie has brought along Alex Garland’s folk horror Men, while Alan has picked Jordan Peele’s sci-fi monster movie Nope, and Sam chose the latest Scream, a meta extravaganza directed by Matt Bettinelli-Olpin and Tyler Gillett calling itself a requel (now there’s the true horror!). What do our cultural baristas think of these three examples of modern horror movies? And just what makes monosyllabic titles so much more scary? Tune in to hear our answers – okay, perhaps not to that last question – in our December episode. Warning: May contain multisyllabic words!

P.S.: We had some technical issues when recording this episode and apologise for the variable audio quality… though it does make the podcast that much more scary, doesn’t it?

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