I’ll be in my trailer… watching trailers: I’ve been through the desert

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

In this week’s Six Damn Fine Degrees, Alan writes about 2024’s witchy Agatha All Along – and what it may say about the different roads the Marvel Cinematic Universe could go down in the future.

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They create worlds: the melodies of Silksong

One of the things that video games can do magnificently is create worlds. These posts are an occasional exploration of games that I love because of where they take me.

In 2017, a small Australian studio called Team Cherry released Hollow Knight. The game, an action adventure set in a world of insects, was well received by gamers and critics, and its reputation grew over the following years, as much for its challenging gameplay as for its melancholy world and atmosphere. Over time, Team Cherry aded to the game in various ways game – but the main expansion they originally promised, which was to feature Hornet, one of the game’s characters that starts off as an antagonist only to become an ally of the player character, proved too ambitious. As a result, Team Cherry announced in 2019 that Hornet’s adventures could not be contained in an add-on of the original Hollow Knight but instead required their own game: Hollow Knight: Silksong.

It would take another six years until Silksong came out.

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That was the year that was: 2025

Let’s be honest: it’s no big secret that 2025 was a shitty year in many ways, so much so that at times, as if we’d woken up in an episode of Black Mirror, it felt like reality itself had installed a doomscrolling plugin. You no longer have to take out our phone or tablet: just walk around with open eyes and the rest will take care of itself.

And yet: not everything is bad. Whenever I hear or read someone going on about how culture, originality, cinema and TV are dead, I can’t help but roll my eyes – because there is so much out there that is pretty damn good: fresh, engaging, challenging, riveting.

See exhibit A:

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