Does a killer title make for a killer movie? When Philip Kaufman adapted Milan Kundera’s early-’80s novel The Unbearable Lightness of Being for the big screen, it made a huge splash at its release in 1988, drawing audience numbers that, at this point in time, are almost unthinkable for a drama focusing on the lives of three characters in communist Czechoslovakia – even if that drama is as erotic and adult as Kaufman’s film was. And how well does it hold up in 2025, both for those who’d seen it at the time and those who are only just seeing it for the first time? Join Sam, Julie and Matt as they discuss the film, its young stars Daniel Day-Lewis, Juliette Binoche and Lena Olin, the mirrors and bowler hats, and the Bourgeois dreadfulness of late 1960s, early 1970s Switzerland. What made The Unbearable Lightness of Being such a success at the time? Why is it barely talked about almost 40 years later?