It’s September, and the world is coming to an end on this month’s episode. Join Mege and Matt as they talk about the post-apocalypse in pop culture, from Obsidian’s epic role-playing game Fallout: New Vegas via Mad Max: Fury Road to – bear with us on this one – the HBO series The Leftovers. We also discuss Spike Lee’s latest joint, BlacKkKlansman, and talk about Sarah Vowell’s book Assassination Vacation.
Tune in for episode 12 of A Damn Fine Cup of Culture, in which we finally return to the quiet (or is it?) town of Twin Peaks, say hello to Special Agent Dale Cooper and talk about death, nostalgia and David Lynch over a slice of pie and a fresh cup of joe. Did Twin Peaks – The Return deliver what we wanted or did it give us what we deserved? We also briefly visit the Civil War US and the land of the dead in Lincoln in the Bardo, experience the horror, the horror in Apocalypse Now Redux (now with more Playboy Bunnies!) and answer that age-old question – can a used condom be art? – as we chat about The Square.
In 2017, Eagles on Pogo Sticks ended its ten years of soaring and went into a steep yet controlled ascent. After a quick dip into one of the few remaining phone booths, a suspiciously familiar-looking blog emerged: A Damn Fine Cup of Culture. Now, almost a year after we reinvented ourselves (or, more accurately, revealed ourselves as the cuppaholics we are) we’re launching a weekly feature: The Rear-View Mirror, where each Friday we’ll look at the cultural goodies, whether grande, venti or trenta, that may appear closer than they really are. We’re starting in the year of our (re-)launch, 2017. Join us on our weekly journey into the past!
Back when I was a student, I was pretty much subscribed to the Booker Prize winners. From Midnight’s Children (which, admittedly, I read more than 15 years after its release) via the likes of The Remains of the Day and The Famished Road, The English Patient and The God of Small Things to Amsterdam and Disgrace, I knew that the winning novels would be well worth reading. When I left university, though, I realised that life is very different when you’re not paid to read literature. After a day at the office doing things other than literary criticism, I found that my brain wasn’t necessarily in much of a state to plonk down with a book, and instead I’d watch an episode of something or play video games for an hour. The Booker Prize lost its appeal as any new books I ordered piled up on one of my Billy shelves. I still enjoy reading a lot, but it’s no longer the thing I do most of the time on most days, it’s something to do before going to bed (if I’m awake enough), over the weekend and especially on holidays. Continue reading
Tune in for episode 11 of A Damn Fine Cup of Culture, in which we visit Westworld, look back at season 1 and discuss whether its Hosts are more human than human. Is the series great, cerebral sci-fi or is it a puzzlebox too far? We also talk about festivals, theatre and otherwise, and pay our respects to the late, great Sam Shepard, by way of Michael Shannon. Continue reading
Although I got the novel as a Christmas present, I only read Jeff VanderMeer’s Annihilation after seeing Alex Garland’s movie adaptation, finishing it last weekend. There are some adaptations that ruin the original for you, but that’s rarely been a major problem for me: if a story is enjoyable primarily because of what happens next, I usually don’t feel all that much of a need to read it in the first place. If there are interesting characters or ideas, if the prose is evocative and atmospheric – generally, if it’s the storytelling itself that makes the story thrilling or funny or generally engaging rather than what happens next – then I’m definitely up for experiencing a story more than once.
Tune in for episode 6 of A Damn Fine Cup of Culture podcast, which returns us to a long time ago (all together now!) in a galaxy far, far away: what did we think of The Last Jedi? What role did that mega-franchise play in our childhood? And has Rian Johnson ruined or renewed Star Wars? Also, some thoughts on The Leftovers – the novel, not the series – and on Yorgos Lanthimos’ The Killing of a Sacred Deer.
If you had told me a year ago that a Thor film would be one of my favourite Marvel movies in recent years, I would have looked at you like you were touched in the head, possibly by a mythical hammer. For me, the two first Thor films were firmly at the bottom of the MCU, kept company only by Iron Man 2. In fact, I would have said that the character Thor was my least favourite of all the main characters in Marvel’s cinematic universe (though I am not including the TV series in this reckoning, because, well, Danny Rand). Yes, thanks to The Avengers I could see that the big, blond lug had some potential, but mainly as a supporting character and as the butt of a bunch of jokes.
After Thor: Ragnarok, though? Well, let’s put it like this: if you’re looking for story or theme in an MCU film, the latest adventure of the God of Thunder won’t make you a convert. If you’re expecting a plot that is significantly different from, oh, pretty much every single Marvel movie since Iron Man, you’re out of luck. If you want a movie that fully embraces the silliness inherent in this ever-growing comic book universe translated onto the screen, though? Then hell, yeah – Thor: Ragnarok is an embarrassment of riches.