A Damn Fine Espresso: January 2025

Sometimes they come back: in late 2024, Robert Eggers broke with his series of films titled “The” followed by a proper noun with the release of his remake of Nosferatu. Following F.W. Murnau’s 1922 version, a rip-off of Dracula so good that it took on a life (or should that be undeath?) of its own, and the 1979 remake by living legend Werner Herzog, Eggers’ Nosferatu calls back to the earlier versions while putting its own spin on the material. Join Alan and Matt for their discussion of the film: What does Eggers’ Nosferatu bring to the table? How does it compare to other versions of Nosferatu and of Dracula? What are the film’s greatest strengths, and where does it perhaps falter? And where do Matt and Alan stand on big bushy moustaches?

For more talk of the undead, make sure to check out our episode “Three Draculas” from October 2023, in which Julie, Sam and Matt talk about Murnau’s Nosferatu as well as the 1958 and 1992 versions of Dracula.

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I’ll be in my trailer… watching trailers: I call this one Bitey!

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

This week saw the first Six Damn Fine Degrees post by a new contributor: Doctor John Smith (now why does that name ring a bell?) wrote about movie vampires and their ties to the aristocracy and to capitalism. After all, they do like to bleed us dry, don’t they?

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Darkly funny, with teeth

It’s the darnedest thing with What We Do In The Shadows: coming out of the movie theatre, I thought I had seen an OK comedy, and now, I still think about it with a smile. I guess I like it better than I wanted to admit.

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What We Do… tells about the problems and pastimes of four vampires from all over the world and from different historic eras who now live together in an old Wellington house. Viago is from late Renaissance and has come to New Zealand for love; some nights, you can see him staring at a window of a retirement home in which his immortal beloved, now a 96 year-old woman, is watching TV. He doesn’t mind the age gap – he’s four times older than she is.

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There’s Vladislav from the early Middle Ages, and really rather violent when he finds out that modern people no longer succumb to his powers of suggestion and hypnosis. When people catch him staring through the window into their living-room, they invite him in. He is mortally afraid of the Beast, who is not who you think it might be. The youngest member is Deacon, a nazi vampire, who actually boasts about his involvement in highly unethical medical experiments. He thinks he is a great erotic dancer, but… erm, no, he isn’t. The oldest inhabitant is Petyr, who is over 8’000 years old. The others are in awe of him and don’t dare complain when he doesn’t do the dishes.

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I guess I liked the jokes and funny situations as much as anyone, but I sometimes need some kind of minimal story to go along with. There are a few scenes where the vampires have to get along with a bunch of werewolves who try to work on their bad behavior: “Remember your manners, guys: werewolves, not swearwolves.” On the whole, the movie consists of a 86-minute parade of vampire jokes, most of them funny. I liked the two young girl vampires who have made it their mission to kill every pedophile they can find. What We Do… is a comedy on the surface, but there is dark stuff lurking underneath.

There is a new addition to their group by accident: Nick, who goes around telling people he starred in Twilight, and nobody believes him because, well, he looks nothing like Robert Pattinson. Perhaps the biggest joke of them all is not in the movie, but in the production notes: Some of the scenes were shot at the place where they shot some of the Lord of the Rings stuff – it’s impossible to tell since all the scenes take place during nighttime.

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There is a human friend, Stu, who tells the group about modern communication. When Deacon receives his first ever text message, it’s from Vladislav: “There’s a crucifix behind you.” Poor Deacon almost jumps out of his skin. Viago, before biting his virgins, makes them dinner and plays a song on his guitar: “They should at least feel good and have fun before I kill them.” And so on. If you need a really strong story in a movie, look elsewhere. If not, you are in for a really funny comedy.