In the middle of the picture, that was her

It took me a while to get into Roma, Alfonso Cuarón’s much-feted black and white quasi-memoir following the life of Cleo, who lives with and works as a housekeeper for a middle-class family in Mexico City. Ironically, what kept me from engaging with the movie for the first half hour is also one of the things that Roma has received most praise for: its cinematography.

Roma

Continue reading