What is the perfect Bergman movie for Halloween, if that’s how you roll? Is it Hour of the Wolf, with its surreal phantasmagoria? Wild Strawberries, with its uncanny dreamscapes? Through a Glass Darkly, perhaps – think of the spider-god monologue. Or what about Bergman O.G., The Seventh Seal, with its sardonic personification of Death stalking a band of Bergman regulars, if that gets your ghoulies going… or even Scenes from a Marriage, which I expect will play like horror to anyone whose biggest fear is a failing marriage?

The film we ended up watching on Halloween was The Magician, made one year after The Seventh Seal and Wild Strawberries and two years before The Virgin Spring (which, come to think of it, also has a moment or two of ghoulish atmosphere). And, reader, I’d say that it was a pretty good match.
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