The Compleat Ingmar #19: Winter Light (1963)

It has been said many, many times, but it bears saying again: for someone who described himself as an agnostic, Bergman had something of a fixation on religion. Not in social or cultural terms, mind you: Bergman’s concern seems to be almost entirely with very personal matters of faith. Winter Light is probably the most literal in this respect: its protagonist, Tomas (Gunnar Bj√∂rnstrand), is the pastor of a small Swedish church out in the sticks who finds that as his congregation dwindles (the first scene sees him preaching to a handful of people, several of whom politely try but fail to hide their disinterest), so does his belief.

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