A Damn Fine Espresso: March 2025

What do our baristas do when they’re not podcasting or writing blog posts about Korean series, animated favourites, or their addiction to the Criterion Collection? In Sam’s case, he teaches at a Swiss grammar school – and he regularly stages plays at the school where he teaches. This spring, he directed a production of Clare Boothe Luce’s 1930s Broadway play The Women, which was famously turned into a 1939 film by George Cukor, and rather less famously a remake in 2008, starring Meg Ryan and Annette Benning. Join Sam and Julie as they talk about the play and the production. How does a play that is almost 90 years old hold up when staged in 2025? How does a Broadway comedy of manners work when performed by students in a Swiss town? Does The Women in a staging that keeps its 1930s context speak to modern audiences? And, perhaps most importantly: if he had the opportunity, who would Sam himself portray in this all-women play?

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I’ll be in my trailer… watching trailers: What’s in the envelope?

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

For a franchise that has had eleven films so far, you’d think the movies would be good, wouldn’t you? Well, Alan’s gone and watched the entire Pink Panther series of films, and he’s not a fan. Check out his good reasons to be grateful that he took this particular hit for the team!

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A Damn Fine Cup of Culture Podcast #90: And the Oscar goes to…

This Sunday, the 97th instalment of the Academy Awards, more commonly known as the Oscars, will be awarded in Hollywood. In keeping with the times, it has been an uncommonly heated lead-up to this year’s awards, and not everyone is a big fan of the line-up – but it is undeniably a very varied Oscars year, and the big nominees range from the controversial (Emilia Pérez) via the outlandish (body horror favourite The Substance) to the monumental (The Brutalist with its run time of over 3½ hours). Will 2025 be the kind of year where one film sweeps most of the awards, or will the Tinseltown love be spread out across musicals, biopics, dramedies, ecclesiastic thrillers and sci-fi sequels? Join Matt, Julie and Sam as they talk predictions and favourites – and make sure to tell them how wrong they were come Monday!

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I’ll be in my trailer… watching trailers: Do the monkey!

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Whether you’re a martial arts fan or not, don’t miss this week’s Six Damn Fine Degrees, in which Julie writes about the Hong Kong extravaganza Iron Monkey, starring Donnie Yen.

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I’ll be in my trailer… watching trailers: Gentlemen, you can’t fight in here!

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

This is not your ordinary Journey to the West: for this week’s Six Damn Fine Degrees, which fittingly coincided with Valentine’s Day, Melanie introduced us to A Korean Odyssey (or, in the original, Hwayugi), a Korean adaptation of the classic Chinese novel from the 16th century – set in the present day, and turning the story into a… modern-day fantasy rom-com?

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A Damn Fine Espresso: February 2025

For our February espresso podcast, we’ve got a very special treat: this month, Matt and Julie talk to British writer, critic, curator and film historian Pamela Hutchinson. Pamela, a regular contributor to the Guardian and to Sight & Sound, joins us for a look at The Lady with the Torch, a selection of films that played at the Locarno Film Festival 2024 and that was recently featured (in part) at the Kino REX in Bern, Switzerland, where Pamela spoke about the films and Fritz Lang’s The Big Heat in particular. Find out more about what made Columbia Pictures special, how its co-founder and president Harry Cohn was both a terror and a boon to the studio, and how Columbia Pictures ended up offering opportunities especially to the women working there that were unheard of elsewhere – and watch out for our recommendations for the Columbia Pictures films of the era you need to see, from the biting screwball comedy of Twentieth Century (1934) to the heartbreaking darkness of In a Lonely Place (1950) and the prescient political drama of All the King’s Men (1949). Don’t miss this special treat for lovers of classic Hollywood – and a big thank you to Pamela from all of us at A Damn Fine Cup of Culture!

P.S.: As director Dorothy Arzner features in the history of Columbia Pictures and comes up in our conversation with Pamela, make sure to check out last year’s May espresso podcast for a closer look at Arzner and her films.

P.P.S.: You can find Pamela’s talk at the REX on Columbia Pictures and The Big Heat here.

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I’ll be in my trailer… watching trailers: If it looks like a duck and quacks like a duck

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

There are few cartoon shorts better than the Merrie Melodies classic Duck Amuckwhich is why Matt dedicated this week’s Six Damn Fine Degrees to it.

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A Damn Fine Cup of Culture Podcast #89: Second Chances (feat. Shirley MacLaine)

It’s that time of the year again, when we look at films we didn’t enjoy originally and give them another chance. This time it’s Sam and Alan having another look at movies they’d previously bounced off of, and both films feature Shirley MacLaine: Billy Wilder’s The Apartment (1960) (yes, Alan hasn’t been a big fan of the film to date!) and MacLaine’s first film, The Trouble with Harry (1955), her first feature appearance and one of the movies generally considered to be lesser Hitchcock. Will our intrepid two come away with a new appreciation of these films, or will their original opinions be reinforced?

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A Damn Fine Espresso: January 2025

Sometimes they come back: in late 2024, Robert Eggers broke with his series of films titled “The” followed by a proper noun with the release of his remake of Nosferatu. Following F.W. Murnau’s 1922 version, a rip-off of Dracula so good that it took on a life (or should that be undeath?) of its own, and the 1979 remake by living legend Werner Herzog, Eggers’ Nosferatu calls back to the earlier versions while putting its own spin on the material. Join Alan and Matt for their discussion of the film: What does Eggers’ Nosferatu bring to the table? How does it compare to other versions of Nosferatu and of Dracula? What are the film’s greatest strengths, and where does it perhaps falter? And where do Matt and Alan stand on big bushy moustaches?

For more talk of the undead, make sure to check out our episode “Three Draculas” from October 2023, in which Julie, Sam and Matt talk about Murnau’s Nosferatu as well as the 1958 and 1992 versions of Dracula.

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I’ll be in my trailer… watching trailers: Forget me not

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Remember this week’s Six Damn Fine Degrees instalment, or have you already forgotten it? Continuing from the theme of revenge of the previous week, Matt looks back at the first film by Christopher Nolan he saw, Memento – which, while not perfect, is still his favourite movie by the director.

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