I’ll be in my trailer… watching trailers: It’s time to play the music

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Is it 2026 already? Where did the time go? One of our last posts in the year that was had Matt remembering the films, series and games he enjoyed best over the last 12 months – starting with a very memorable scene in Ryan Coogler’s Sinners. You’ll find that scene in the post itself, but here’s a trailer for the film, for those who are more spoiler-averse.

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A Damn Fine Cup of Culture Podcast #100: A Hundred Podcasts

And suddenly, to our surprise, we find that we have reason to celebrate: not just the beginning of a new year, but our one-hundredth episode! After our small-scale beginnings back in 2017, a little over eight years later, we have arrived at this nice, round number (and that’s without even counting our monthly espresso episodes, which we started in April 2022). And for this occasion, we’re got something very special: Julie and Matt are joined by co-founder and Damn Fine O.G. Mege, who graced the podcast from its first episode until January 2020, though he has been back on an annual basis to contribute to our Christmas Specials. Join the three of them as they wax nostalgic and talk about the early days of A Damn Fine Cup of Culture: what was it like to jump into the podcasting pond? What were the challenges we had to overcome? What made Mege hang up his headset back in 2020? And what are some of our favourite episodes of those first couple of years?

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That was the year that was: 2025

Let’s be honest: it’s no big secret that 2025 was a shitty year in many ways, so much so that at times, as if we’d woken up in an episode of Black Mirror, it felt like reality itself had installed a doomscrolling plugin. You no longer have to take out our phone or tablet: just walk around with open eyes and the rest will take care of itself.

And yet: not everything is bad. Whenever I hear or read someone going on about how culture, originality, cinema and TV are dead, I can’t help but roll my eyes – because there is so much out there that is pretty damn good: fresh, engaging, challenging, riveting.

See exhibit A:

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I’ll be in my trailer… watching trailers: Welcome to the future

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

We at A Damn Fine Cup of Culture hope that you’ve all had happy holidays so far! On Wednesday, we did our part by releasing the Christmas Special 2025 – in which this thoroughly modern Maria got a shout-out.

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A Damn Fine Cup of Culture Podcast Christmas Special 2025

It’s that time of the year again: when film geeks around the world argue about whether Die Hard and Batman Returns are Christmas films or not. The gang at A Damn Fine Cup of Culture has put together its usual Christmas Special episode, this time taking the topic of the year’s summer series, the Lost Summer, as a starting point: what, culturally speaking, have we lost this year… and what have we found? Join Matt, Julie, Alan, Mege and Sam as they ponder their Losts and Founds for 2025 – and everyone here at A Damn Fine Cup of Culture wishes you very happy holidays. Enjoy the remaining days of 2025, spend some quality time with your loved ones, and make sure to enjoy some damn fine films, series, books, games, songs, albums while you’re at it!

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I’ll be in my trailer… watching trailers: Honey, Spielberg’s at it again!

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

It’s true: we have derived a lot of joy from Hollywood. But very little of that joy comes from maudlin pieces of Tinseltown self-pity powdered over with a sprinkle of mild satire. And apropos of nothing: earlier this week, Matt wrote about the Noah Baumbach/George Clooney vehicle Jay Kelly.

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The Loneliness of the Hollywood Superstar: Jay Kelly (2025)

Stop me if you’ve heard this one: Hollywood, the Dream Factory – it is actually quite silly, and none are more silly than Hollywood superstars. Drop them in the real world on their own, without their entourage, and they wouldn’t survive five minutes. They’re shallow, self-centred and vain, they barely have a personality of their own, which is probably why they choose acting in the first place. But then, they bring joy to all our lives, so all is forgiven. We love you, Hollywood superstar!

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I’ll be in my trailer… watching trailers: Not a bird, not a plane

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Everyone knows Murder on the Orient Express and Death on the Nile, Hercule Poirot and Miss Marple. How many who just know Agatha Christie from the film and TV versions have ever heard of Endless Night, the 1972 mystery featuring Hayley Mills, Hywel Bennett, Britt Ekland and George Sanders? Perhaps this week’s Six Damn Fine Degrees by Sam will point a few people in the direction of this forgotten Christie adaptation, not least because of its score by Bernard Herrmann!

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A Damn Fine Espresso: December 2025

We weren’t originally going to do an espresso podcast in December, but then the timing and theme of our main episode for the month almost made it obligatory for us to replan: since our recent episode “Ozmosis” only covered Wicked, the first part of the movie adaptation of the hit musical by Stephen Schwartz and Winnie Holzman, and not its 2025 continuation, Wicked: For Good, we are hereby remedying this. Join Matt and Sam as they take a trip to the Emerald City to talk about part 2 of this revisionist take on L. Frank Baum’s classic novel The Wonderful Wizard of Oz. Did they find the film a worthy follow-up to the 2024 hit? Are Cynthia Erivo and Ariana Grande still as effective as Elphaba and Glinda? Do the new songs live up to the best numbers of either part? And just how does The Wizard of Oz fit into Wicked? Follow us down the Yellow Brick Road for this concluding conversation in our final espresso of the year.

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Six Damn Fine Degrees #264: Agatha Christie’s Endless Night

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Waves crash against anonymous moonlit rocks while the credits promise an eclectic mix of British and international talent: it’s Hayley Mills and Hywell Bennet (fresh off 1968‘s Twisted Nerve), Swedish actor/director Per Oscarsson (from 1966’s Hunger) and fellow countrywoman Britt Ekland (between her Peter Sellers and Rod Stewart relationships and soon to be Bond Girl). There’s eternal Miss Moneypenny Lois Maxwell and All About Eve‘s George Sanders, and it’s directed by Sidney Gilliat (author/producer of Hitchcock’s early British films) and, unmistakeably, scored by Bernard Herrmann – its ondulating, dramatic main theme reminiscent of the perturbing romanticism of Vertigo and The Ghost and Mrs. Muir. Have I gone to cinematic heaven? How could I have missed a film like this one, the 1972 adaptation of Agatha Christie’s late novel Endless Night?!

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