Movies

I’ll be in my trailer… watching trailers: Requin killer, qu’est-ce que c’est?

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Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

How do we handle knowing rather unsavoury things about the actors and filmmakers whose work we like? This week, Alan wrote about his approach, focusing on Charles Coburn, that most avuncular of bigoted racists, best remembered perhaps for his role in Gentlemen Prefer Blondes.

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Six Damn Fine Degrees #171: Charles Coburn, Gentlemen Prefer Hate

Alan Kuhl Graham3 Comments

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

Being a fan of the Golden Age of Hollywood comes with a price. As much as you can celebrate the writing, the glamour, the celebrity even the innovation of those times, it’s very hard to immerse yourself in that era without coming up against a sad truth. Maybe it will be a scene somewhere in the film that casually drops in racism. Or an offensive stereotype with but a few seconds of screen time. And sometimes it will be the appearance of someone who you have learnt was a horrible bigot.

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I’ll be in my trailer… watching trailers: These dead are made for walkin’

MattLeave a comment

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Over the last few weeks, our Six Damn Fine Degrees took us from Herzog to Kinski – but we may not have ended up with the Kinski you’d expect, in Sam’s most recent post!

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Girl, you’ll be a woman soon: Poor Things (2023)

Matt4 Comments

When I think of the films of Yorgos Lanthimos, many things come to mind: first and foremost, his deadpan absurdity (Lanthimos is part of a film movement referred to as the Greek Weird Wave), but also recurring themes such as the arbitrariness of social mores, sexuality, heteronormativity, and structures of power and authority. What I associate most strongly with Lanthimos, though, the unease they evoke. Even when they make me laugh, Yorgos Lanthimos’ films are often supremely uncomfortable.

Which is why it comes as something of a surprise that his latest film, Poor Things, which tells the story of an infant whose brain, Frankenstein-style, is implanted into the body of an adult woman and who finds liberation through sexuality, may just be Lanthimos’ most feel-good film.

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Six Damn Fine Degrees #170: Whatever happened to Nastassja Kinski?

samlinder3 Comments

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

These days, with director Werner Herzog still nourishing his infamously conflicted yet cinematically so fruitful relationship with Teutonic titan Klaus Kinski (even spoofed in Documentary Now!, as described in last week’s post by Matt), it is an almost forgotten fact that for a while, some forty years ago, a very different Kinski made her way into the audience’s consciousness: his daughter Nastassja.

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I’ll be in my trailer… watching trailers: Directing movies is a complicated profession

The Barista CollectiveLeave a comment

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

There should be a fictional documentary about a society of film fans that consider mockumentaries entirely true, and that have constructed an elaborate conspiracy theory around how subjects too dangerous are defused by turning them into mockumentaries. You can’t handle the truth about Spinal Tap, or Kiwi filmmaker Colin McKenzie, or the Mayflower Kennel Club Show. But in the meantime we have mockumentary greats such as “Soldier of Illusion” and “The Goof Who Sat By the Door”.

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A Damn Fine Espresso: February 2024

The Barista Collective1 Comment

Much as with Pringles, the problem with musicals is this: once you’ve enjoyed one or two, you can’t just stop. Earlier this month, Sam and Matt gave two movie musicals a second chance: A Chorus Line and Dancer in the Dark. While they didn’t necessarily come away from this with a renewed appreciation of those films, it felt to them that their conversation ended way too soon – so they went back to the well to talk about their formative experiences with the genre. Which musicals did they watch growing up? How did they come to appreciate the genre? How have they experienced the difference between musicals on screen and on stage? From Jesus Christ Superstar to Aladdin, from Fiddler on the Roof to Cabaret and Victor/Victoria: how did Matt and Sam learn to stop worrying and love a good musical?

(And, as before, if you’re looking for more musical talk, make sure to check out our episode #41 from 2021: The Musical Episode!)

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Six Damn Fine Degrees #169: Don’t mock the mockumentary

Matt4 Comments

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

Werner Herzog must be one of the most frequently parodied filmmakers in the world. I have no evidence of this other than my own gut feeling, but is there anyone else that’s been caricatured as often as him? And good old Werner gets in on the fun too: he’s voiced versions of himself on The Simpsons, The Boondocks and American Dad – and it’s likely there’s an element of self-parody in him voicing a character described as “Old Reptile” in an episode of Rick and Morty.

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I’ll be in my trailer… watching trailers: With fiends like these

The Barista CollectiveLeave a comment

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Once you’re caught in the Herzog Maelstrom, it’s very difficult to get away from it – just ask Julie, who dedicated this week’s Six Damn Fine Degrees to one of the most famous pairs of frenemies in cinema.

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Criterion Corner: Targets (#1179)

Matt1 Comment

It’s the kind of meta filmmaking that’s catnip for critics and academics: screen legend Boris Karloff, firmly at the tail end of his career as a horror movie actor, plays the equally legendary Byron Orlok, a man firmly at the tail end of his career as a horror movie actor. Orlok announces his retirement from cinema, because he’s a has-been and his brand of cinematic horror is no longer scary, it’s camp. Meanwhile, a thoroughly modern kind of bogeyman stalks Los Angeles County: a young, blandly all-American insurance agent with an unsettlingly large gun collection, takes aim at random targets. Slowly but surely the two storylines converge, until they intersect – in a drive-in cinema, where Orlok is set to make his final public appearance. It’s cinema all the way down.

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