The Rear-View Mirror: Easter Parade (1948)

Each Friday we travel back in time, one year at a time, for a look at some of the cultural goodies that may appear closer than they really are in The Rear-View Mirror. Join us on our weekly journey into the past!

I’ve written about my ambivalent relationship to the musical genre before. It moves beyond ambivalent into downright ignorance when it comes to the musicals of the Golden Age of Hollywood. Sure, I’ve seen Singing in the Rain, but I have failed so far when it comes to other classics, such as An American in Paris. And if you were to ask me about Fred Astaire‚Ķ well, it’s better not to ask me about Fred Astaire, unless you enjoy the sound of silence. It’s not that I dislike him, it’s more that I simply don’t know him.

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The Rear-View Mirror: Fiddler on the Roof (1971)

Each Friday we travel back in time, one year at a time, for a look at some of the cultural goodies that may appear closer than they really are in The Rear-View Mirror. Join us on our weekly journey into the past!

I must have mentioned it before: I’m not a fan of film musicals. Which doesn’t mean that I don’t like the genre, but I don’t like something just because it’s a musical. At the same time, there are a lot of musicals that I do like a lot, and they generally find ways of elevating the material, of making it more effective, because the characters in them have this odd habit of breaking into song every now and then.

Fiddler on the Roof
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It’s about cats. Singing and dancing cats. You’ll love it.

Years ago, I went to see the stage version of The Lion King in London. As the lights went down and people stopped talking, knowing that the show was about to begin, a kid one or two rows in front of me piped up. “I don’t like lions!” Well, tough, kid, you’re going to get lions, whether you like them or not.

Most people like lions, if they keep their distance and don’t attempt to eat you or your loved ones. What many people don’t like? Musicals. Some people don’t like action films, others aren’t really into horror movies, but I don’t think there’s a single genre that as many people claim not to like as musicals. To be honest, though: until a few years ago, I would have said the same, though I may have qualified it a bit more – I don’t like the Platonic ideal (i.e. the pretentiously formulated stereotype) of a musical that people may think of when the genre comes up. At the same time, some of the films I liked best growing up were musicals, such as Hair or Jesus Christ Superstar. I’ve even rewatched some musicals that didn’t click for me when I was growing up, like West Side Story, and I’ve come to greatly enjoy them. Similarly, “Once More With Feeling” is one of my favourite episodes of Buffy the Vampire Killer, and I’d defend its artistic merits as much as I would those of my favourite less jazz-handy episodes.

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