Gambling away your credit

Villains are interesting because we cannot believe what they are prepared to do and then get away with their crimes while we keeping looking on, appalled, but also slightly amazed. With unsympathetic characters, it’s slightly different. My guess is that we are caught in the dilemma of not condoning their actions or beliefs, but somehow understanding them. We wouldn’t act their way because we are not them, but if we were, maybe we would make the same choices. The main character in Pablo Larraín’s Ema (2019) makes no effort to win our sympathies, but we get why she does what she does. To a lesser extent, we might also understand Francis’ decisions in Burhan Qurbani’s Berlin Alexanderplatz (2020), but chances are that we will never have to risk our lives crossing the Mediterranean, or deal with the violent antics of an adopted child.

Continue reading

The Corona Diaries: It’s a small world after all

I felt a range of different emotions when the COVID-19 crisis began, and a lot of different thoughts went through my head. One was a profound sense of unreality: this kind of thing happens in movies, not in real life, and definitely not here, in Switzerland, in one of the wealthiest, most privileged countries in the world. Another was constant, low-level stress and the feeling that my brain and its usual processing power was off, somehow, that my thinking was constantly woolly and my ability to remember things (never exactly my strong side) was pretty much shot.

However, not all of what I was feeling was confusing, confounding or plain bad. There was also a sense that for the first time in my life we were experiencing something as the whole world. Even if we were stressed, anxious and confused, we were sharing this. No other event I’d ever experienced felt as truly global, and that was a good feeling: we were all in this together.

Continue reading

I’ll be in my trailer… watching trailers: Have we reached the comic book singularity yet?

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest installment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Continue reading

The Corona Diaries: Drunk on Déjà-Vu

I

A month ago, most stores and businesses have reopened around here. That includes movie theaters, many of which show the films they were showing the day they had to close. Those films are also already out on DVD and BluRay, so you are in the luxurious position to be able to choose whether you would like to watch 1917, Onward or Once Upon A Time in Hollywood at the movies or at home. There are movie drive-ins and movie open-air festivals, the closest of which will open tonight and last until Sunday. Better times, for now.

Continue reading

I’ll be in my trailer… watching trailers: The common denominator of the Universe? Serial killers and badass nuns.

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest installment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Continue reading

A Damn Fine Cup of Culture Podcast #34: Xeno-who? The Alien franchise

d1ad56da-abce-4afe-9f45-79294aede9e3For our July podcast, we’re heading to space, where no one can hear you podcast: join Julie, Matt and special guest Alan for a chat about Ridley Scott’s sci-fi horror classic Alien and all the wacky hijinks that ensued, with a special focus on James Cameron’s space marine extravaganza Aliens and the much maligned third film and David Fincher’s motion picture debut, Alien³. Strap in and get ready for incisive, acid-dripping, chest-bursting discussion that will wake you from hypersleep in a jiffy!

Continue reading

d1ad56da-abce-4afe-9f45-79294aede9e3For our July podcast, we’re heading to space, where no one can hear you podcast: join Julie, Matt and special guest Alan for a chat about Ridley Scott’s sci-fi horror classic Alien and all the wacky hijinks that ensued, with a special focus on James Cameron’s space marine extravaganza Aliens and the much maligned third film and David Fincher’s motion picture debut, Alien³. Strap in and get ready for incisive, acid-dripping, chest-bursting discussion that will wake you from hypersleep in a jiffy!

Continue reading

I’ll be in my trailer… watching trailers: money, mermaids, MeToo, and Miranda

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest installment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Read more

I’ll be in my trailer… watching trailers: Holy Cow!

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest installment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Read more

I’ll be in my trailer… watching trailers: Making a meal of it

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest installment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Read more

The Compleat Ingmar #14: Hour of the Wolf (1968)

This film should have been the thirteenth in Criterion’s sublime collection Ingmar Bergman’s Cinema – and if we count Scenes from a Marriage as one work in two different formats, the numbers actually tally. Hour of the Wolf is an ominous, nightmarish work; in fact, I would go so far as to say that it is about the last thing I would have expected in the director’s oeuvre, an out-and-out horror film – though, this being Bergman, the horrors are not those of ghouls and ghosts, they are of the decidedly psychological kind.

Nonetheless: there are scenes of faces being pulled off and eyes floating in wine glasses. You’ve been warned.

Continue reading