Gambling away your credit

Villains are interesting because we cannot believe what they are prepared to do and then get away with their crimes while we keeping looking on, appalled, but also slightly amazed. With unsympathetic characters, it’s slightly different. My guess is that we are caught in the dilemma of not condoning their actions or beliefs, but somehow understanding them. We wouldn’t act their way because we are not them, but if we were, maybe we would make the same choices. The main character in Pablo LarraĆ­n’s Ema (2019) makes no effort to win our sympathies, but we get why she does what she does. To a lesser extent, we might also understand Francis’ decisions in Burhan Qurbani’s Berlin Alexanderplatz (2020), but chances are that we will never have to risk our lives crossing the Mediterranean, or deal with the violent antics of an adopted child.

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At War, at Play

The first half hour of Alejandro Landes’ debut feature Monos contains some of the most beautiful images of any movie released this year. We are somewhere in Latin or South America, so high up that the clouds seem lower than the silhouettes of the child soldiers. There are red-burning clouds trying to scale the jungle-green mountaintops; there are lush meadows and old abandoned fortifications. There is a war, but we know less about it than even the eight teenagers in their rag-tag, mismatched dirty uniforms. Continue reading