A Damn Fine Cup of Culture Podcast #3: Paris, Texas

d1ad56da-abce-4afe-9f45-79294aede9e3Tune in for episode 3 of A Damn Fine Cup of Culture podcast as Mege and Matt remember Harry Dean Stanton and discuss Wim Wenders’ Paris, Texas. Also, a spot of Criterion Collection fanboying, our first ever discussion of a book (they exist!) called I Am, I Am, I Am: Seventeen Brushes with Death, and a quick chat about the Swiss-Austrian psycho drama Tiere – so come and join us on the long and dusty road to Paris…

… Texas.

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A Damn Fine Cup of Culture Podcast #2: Magnolia

d1ad56da-abce-4afe-9f45-79294aede9e3Tune in for episode 2 of A Damn Fine Cup of Culture podcast as Mege and Matt discuss Paul Thomas Anderson’s Magnolia, with a quick chat about the chilling, murderous Lady Macbeth and the biopic Jackie by Chilean filmmaker Pablo Larraín. Once again, mild spoilers are to be expected, and we may have some opinions on Tom Cruise – so respect the cup, sit down and listen.

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A Damn Fine Cup of Culture Podcast #1: Dunkirk

Tune in for the very first A Damn Fine Cup of Culture podcast as Mege and Matt discuss Christopher Nolan’s Dunkirk, as well as a bit of chat about Paul Verhoeven’s Elle and Matt Reeves’ War for the Planet of the Apes. Expect mild spoilers, references to Wonder Woman and a bit of Michael Bay mockery – everything that’s needed for a hot, steaming, tasty cup of culture! Continue reading

Murder is in the details

Serial is the most successful podcast around these days. At its core, it’s about the 1999 death of a Baltimore County high school student called Hae Min Lee, about her ex-boyfriend Adnan Syed, who is serving life in prison, and about Jay, the guy who testified in court that it was Adnan who killed Hae.

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All this is told in weekly instalments by journalist Sarah Koenig. The material she presents is intriguing, but I think Koenig herself is the key to Serial‘s success: she asks the right questions, provides smart answers, and is unafraid to confront many of the people involved. After twelve months of researching Adnan’s case, she does not claim to know the truth – she still isn’t sure if he is guilty or not. Her point is: the trial was too weak for Adnan to be convicted. I agree. There are too many unanswered questions, too many incongruous details.

And she avoids the greatest of pitfalls: she doesn’t sensationalize. She’s simply curious about what has happened, and we are allowed to come along. She has the right kind of voice for this – at times, she is annoyed, surprised and suspicious just as her audience must be.

I don’t have a particular problem with a real-life murder case being used for entertainment – if it comes along smart and knowledgeable like this series here. Koenig and her team could not have foreseen the success that Serial has now. And if it leads to pressure for a re-trial or to a case review, why not? I only have a problem with those amateur sleuths who gain access to trial documents and then publish the names and details of persons who are connected to this case whose names Koenig withheld intentionally. Adnan’s family also gets pestered by people who want to know if they think that Adnan is a psychopath.

Sarah Koenig

Dramatically, Serial is a risk. This is about real life, and it won’t bow to conventional storytelling. Koenig has gotten so many donations that there will be a second season – maybe about another crime with its open questions and incongruities. Meanwhile, Adnan Syed’s case has been taken on by a group of lawyers connected to the innocence project, so whereas Serial will definitely come to its end next week, the case might go on. So be it – this might well turn into a podcast that has an impact on the US legal system. Imagine that.