Podcast

A Damn Fine Espresso: July 2025

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Our Lost Summer started with an episode in honour of David Lynch, the artist and director who’s been an inspiration to us here at A Damn Fine Cup of Culture. After last month’s espresso episode, in which Sam and Matt talked about the extended deleted scenes that were released for Lynch’s Blue Velvet and Twin Peaks: Fire Walk With Me, we’re now continuing our tribute to the man with a stealth Second Chances episode: Alan, a big fan of Lynch, has nonetheless bounced off the director’s Wild at Heart (1990), while Sam has been a fan from the beginning, so the two of them have revisited the film. Has time changed Alan’s assessment? Have Nicolas Cage, Laura Dern and a fantastic supporting cast ranging from Diane Ladd and Willem Dafoe to Harry Dean Stanton and a bunch of familiar faces from Twin Peaks, WA won him over – or, indeed, Sam’s enthusiasm for this pulpy pop thriller that nods more than just once or twice in the direction of camp classic The Wizard of Oz?

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A Damn Fine Cup of Culture Podcast #94: Lost Summer – The Vanished

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Hundreds of films and TV series make it onto our screens each year – but just as many vanish, some before they ever make it in front of an audience. The second episode of our summer series, the Lost Summer, is dedicated to these: the films that are destroyed or vanish into some vault, the TV series that were never archived, or even the legendary scenes that are much talked about but never seen. Join Julie, Alan and Sam as they explore the romance and the frustration inherent in this vast library of lost film and TV. Why are we fascinated so much by what is lost? Why are the movie and television industries often so cavalier about preserving this cultural heritage? And which of the vanished would our cultural baristas most like to see found again?

P.S.: Make sure to check out the other entries in our Lost Summer, running from June to September!

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A Damn Fine Espresso: June 2025

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Our recent podcast episode on David Lynch, marking the start of our 2025 series Lost Summer, prompted us to pick up where that episode left of: for two of the films we discussed earlier this month, Blue Velvet and Twin Peaks: Fire Walk With Me, there are extensive sets of deleted scenes that, if they had not ended up on the cutting room floor, would have made both films into something very different. Sam and Matt watched these scenes – 51 minutes for Blue Velvet, a whopping 91 minutes for Fire Walk With Me – and talk about these and the notion of deleted scenes in general. Would Fire Walk With Me have been a better film if it had included all that material about the town of Twin Peaks, as fans and critics had hoped for when it was released? What can deleted scenes say about the virtues of leaving some things out? How do fan edits, a practice which has become highly accomplished in many cases, figure into this, and into the question of which version of a film is the real deal?

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A Damn Fine Cup of Culture Podcast #93: Lost Summer – David Lynch

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This month’s podcast kicks off our summer series for 2025: the Lost Summer is all about what we’ve lost – directors, actors, films – and what this means to us. We’re starting with one that is very close to our heart at A Damn Fine Cup of Culture: in January, David Lynch died at the age of 78, so we’re taking this opportunity to talk about some of the films of his that meant the most to us. Join Alan, Sam and Matt as they talk about neo-noir mystery Blue Velvet (1986), much-reviled prequel Twin Peaks: Fire Walk With Me (1992) and L.A. nightmare Mulholland Drive (2001). How did we discover Lynch’s work and these films in particular? What do they mean to us, and why? How do they fit into Lynch’s oeuvre? And what is the legacy that Lynch has left behind?

For more podcasts on David Lynch and Twin Peaks in particular, check out these classic episodes:

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A Damn Fine Espresso: May 2025

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It’s been a while since we’ve been excited about the Marvel Cinematic Universe here at A Damn Fine Cup of Culture – so when Thunderbolts*, the 36th movie in the franchise was released to largely positive reviews, we were curious: had the curse of middling, directionless Marvel movies been broken? Join Alan and Matt (for once recording in the very same room!) to find out their take on the super- (or should that be anti-?) hero extravaganza starring Florence Pugh leading a team of characters from a range of other films and TV shows in the series, from Ant-Man and the Wasp to The Falcon and the Winter Soldier. What did Thunderbolts* get right? Where did it step wrong? And what does it mean for the future of the MCU – which is set to continue with this year’s Fantastic Four: First Steps and next year’s Avengers: Doomsday, a film certain to attain the superhero casting singularity, seeing how it will feature pretty much every actor who has ever even heard the word “marvel” uttered?

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A Damn Fine Cup of Culture Podcast #92: The Unbearable Lightness of Being

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Does a killer title make for a killer movie? When Philip Kaufman adapted Milan Kundera’s early-’80s novel The Unbearable Lightness of Being for the big screen, it made a huge splash at its release in 1988, drawing audience numbers that, at this point in time, are almost unthinkable for a drama focusing on the lives of three characters in communist Czechoslovakia – even if that drama is as erotic and adult as Kaufman’s film was. And how well does it hold up in 2025, both for those who’d seen it at the time and those who are only just seeing it for the first time? Join Sam, Julie and Matt as they discuss the film, its young stars Daniel Day-Lewis, Juliette Binoche and Lena Olin, the mirrors and bowler hats, and the Bourgeois dreadfulness of late 1960s, early 1970s Switzerland. What made The Unbearable Lightness of Being such a success at the time? Why is it barely talked about almost 40 years later?

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A Damn Fine Espresso: April 2025

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Back in 2022, we did our first summer series: the Summer of Directors. The episode led by Alan focused on Robert Altman, the “grizzly-bear genius of American cinema”, as Ryan Gilbert put it in The Guardian. Back then, we discussed three of Altman’s most iconic ’70s films: satirical neo-noir The Long Goodbye, revisionist Western McCabe & Mrs. Miller and Nashville, a scathing satire of America through the lens of the country music industry. At the time, we gave a shout-out to one of Altman’s less well-known films, his uncanny psychological drama 3 Women, but we didn’t discuss it in detail. This month’s espresso podcast remedies this: join Alan and Matt as they talk about Altman’s most dreamlike film. 3 Women (1977), starring Shelley Duvall, Sissy Spacek and Janice Rule, is enigmatic and borders on the surreal, echoing and prefiguring the identity-blurring nightmares of Ingmar Bergman’s Persona and David Lynch’s Mulholland Drive. What did Matt and Alan make of this strange, eerie film, and how does it fit in with their idea of Robert Altman?

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A Damn Fine Cup of Culture Podcast #91: Three Sherlocks

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To many fans of detective fiction, he’s the greatest sleuth of them all: Arthur Conan Doyle’s Sherlock Holmes. He’s figured in many stories, novels, films, TV series and video games, to mention just a few of Mr Holmes’ exploits. He survived death by Reichenbach Falls, he appeared in the Victorian era and beyond, including adaptations in present-day England and America. And yet: to date, the greatest detective has only appeared on this site very, very rarely. Well, in the podcast episode we’re releasing today, this will be remedied, as Julie, Sam and Alan share their deductions about three cinematic takes on Sherlock Holmes: the 1939 film The Adventures of Sherlock Holmes starring Basil Rathbone, Nigel Bruce and Ida Lupino; Billy Wilder’s 1970 classic The Private Life of Sherlock Holmes, in which Robert Stephens and Colin Lively play the iconic Holmes and Watson; and the 1976 made-for-TV film Sherlock Holmes in New York, which has Roger Moore don the inauthentic yet iconic deerstalker – and John Huston take on the role of Holmes’ nemesis Moriarty. Which of these do justice to Sherlock Holmes? Which are worth watching, and which are better given a miss? Make sure to join our trio of pop culture baristas as they get out their magnifying glasses and investigate the case of Three Sherlocks. The game’s afoot!

And if you’d like to hear more about less-than-successful takes on Arthur Conan Doyle’s famous detective or indeed other iconic trios, make sure to check out these past episodes:

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A Damn Fine Espresso: March 2025

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What do our baristas do when they’re not podcasting or writing blog posts about Korean series, animated favourites, or their addiction to the Criterion Collection? In Sam’s case, he teaches at a Swiss grammar school – and he regularly stages plays at the school where he teaches. This spring, he directed a production of Clare Boothe Luce’s 1930s Broadway play The Women, which was famously turned into a 1939 film by George Cukor, and rather less famously a remake in 2008, starring Meg Ryan and Annette Benning. Join Sam and Julie as they talk about the play and the production. How does a play that is almost 90 years old hold up when staged in 2025? How does a Broadway comedy of manners work when performed by students in a Swiss town? Does The Women in a staging that keeps its 1930s context speak to modern audiences? And, perhaps most importantly: if he had the opportunity, who would Sam himself portray in this all-women play?

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A Damn Fine Cup of Culture Podcast #90: And the Oscar goes to…

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This Sunday, the 97th instalment of the Academy Awards, more commonly known as the Oscars, will be awarded in Hollywood. In keeping with the times, it has been an uncommonly heated lead-up to this year’s awards, and not everyone is a big fan of the line-up – but it is undeniably a very varied Oscars year, and the big nominees range from the controversial (Emilia Pérez) via the outlandish (body horror favourite The Substance) to the monumental (The Brutalist with its run time of over 3½ hours). Will 2025 be the kind of year where one film sweeps most of the awards, or will the Tinseltown love be spread out across musicals, biopics, dramedies, ecclesiastic thrillers and sci-fi sequels? Join Matt, Julie and Sam as they talk predictions and favourites – and make sure to tell them how wrong they were come Monday!

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