sissy spacek

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Extreme close-up on the face of Martha (Elizabeth Taylor) as the first sunlight hits the garden behind her. Soon a ray catches her tired, ragged, desperate face. An excruciating night of middle-aged drinking lies behind her now, behind George (Richard Burton), her dishevelled yet razor-sharp husband of many years, who has dealt Martha his final blow in their night-long cruel games, innuendos and infidelities. Martha seems a broken woman now as she slowly recuperates from her sobs and the two look on into an uncertain older age. Fade out and credits over Alex North’s deceptively beautiful harp and guitar elegy that brings Who’s Afraid of Virginia Woolf (1966) to a shattering close.

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Back in 2022, we did our first summer series: the Summer of Directors. The episode led by Alan focused on Robert Altman, the “grizzly-bear genius of American cinema”, as Ryan Gilbert put it in The Guardian. Back then, we discussed three of Altman’s most iconic ’70s films: satirical neo-noir The Long Goodbye, revisionist Western McCabe & Mrs. Miller and Nashville, a scathing satire of America through the lens of the country music industry. At the time, we gave a shout-out to one of Altman’s less well-known films, his uncanny psychological drama 3 Women, but we didn’t discuss it in detail. This month’s espresso podcast remedies this: join Alan and Matt as they talk about Altman’s most dreamlike film. 3 Women (1977), starring Shelley Duvall, Sissy Spacek and Janice Rule, is enigmatic and borders on the surreal, echoing and prefiguring the identity-blurring nightmares of Ingmar Bergman’s Persona and David Lynch’s Mulholland Drive. What did Matt and Alan make of this strange, eerie film, and how does it fit in with their idea of Robert Altman?

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