Six Damn Fine Degrees #190: The Better Stranger Things

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

Reading Mege’s critical reappreciation of all Stranger Things from last week, I became aware of how much I had loved that show’s first season. It not only made me a first-time Netflix subscriber but also truly excited me and my friends, leading to numerous binge parties with all the hairs on our necks standing up for most of it. I found the little-boy-lost storyline heartbreaking, the unfolding monstrosities riveting and the bond between the group of friends heartwarming. The ’80s references seemed loving but not overdone and the show came to an almost perfect conclusion.

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Six Damn Fine Degrees #189: Stranger Things

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Spoiler warning: I will discuss plot points and revelations from all of Stranger Things‘ seasons, so be warned, or the mind flayer will get you.

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Six Damn Fine Degrees #188: Legenden Lindbergh in the Fotografiska

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

“This should be the responsibility of photographers today: to free women, and finally everyone, from the terror of youth and perfection.” ~Peter Lindbergh

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Six Damn Fine Degrees #187: The Alien in the High Castle

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

Inspired by Alan’s Scavengers Reign review in last week’s post, and his observation that the series looks as if Swiss Alien designer HR Giger had joined Studio Ghibli in the 1980s, I decided to follow the trail that Giger left behind since his untimely death ten years ago in his and my home country. It quickly turned out that the mothership of his creations these days is, fittingly, a museum in eerie Medieval castle St. Germain high on top of Gruyères, home of one of Switzerland’s most famous cheeses.

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Six Damn Fine Degrees #186: Scavengers Reign

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

In last week’s column Matt wrote about the game S.T.A.L.K.E.R. that “You’re put in a world that is likely to eat you alive in many, many ways – but you’re also reliant on that world…“, and the moment I read those words I knew I had to abandon any plans I had to talk about another video game, or Tarkovsky, or even return to the actual Chernobyl. Because it made me want to write about my favourite TV show right now, Scavengers Reign.

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Six Damn Fine Degrees #185: Diamonds in the rough

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

There is certainly joy in encountering anything perfectly crafted. Whether we’re talking about films or books or songs or games, there are examples that are exactly what they set out to be and you can’t see a single thing you’d change. Such craftsmanship is exceedingly rare, but to see it is always amazing.

And yet: sometimes it’s the imperfection of something that makes it especially memorable.

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Six Damn Fine Degrees #184: Hidden Gems

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

I’ve got nothing against a good blockbuster – some time ago, I sang the praises of Mad Max: Fury Road, and so I am itching to go see Furiosa: A Mad Max Saga. And I have seen almost everything there is to see in the Marvel Cinematic Universe, including the Basel exhibition, thanks to my favorite daughter. But there are some unsung gems out there that only I and three or four others know about. I think I’ve written about Lake Mungo more than once, so that one is no longer an obscure indie film since it crops up on many 12 horror gems you’ve never seen before! lists.

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Six Damn Fine Degrees #183: The Forever Supporting Ones

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

Reading Matt’s latest piece on discovering film stars in their early performances before their eventual breakthrough, I was wondering how many actors actually never really got to that point yet still remain so easily recognisable. You know the ones I’m talking about: the instantly familiar faces that are hard to place but that you’ve seen repeatedly in films or on television; the staple supporting cast of many well-known directors from Alfred Hitchcock to Blake Edwards or Mel Brooks to the Quentin Tarantino; the returning characters in any franchise from Bond to Marvel and long-running series like The Avengers or Sex Education.

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Six Damn Fine Degrees #182: And, all of a sudden, there they were…

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

When I was a kid who got into watching films very early, the actors I’d see in movies had somehow always been there. A large part of this was that 99.9% of what I’d watch was on TV, so early on already I’d see all those films with the likes of James Stewart, Cary Grant, Katharine Hepburn (or indeed Audrey Hepburn), Shirley MacLaine, Steve McQueen, and so on. When it came to newer films that came out in the late 1970s or 1980s, it may have been a different set of stars – Sigourney Weaver, Dustin Hoffman, Bruce Willis, Kathleen Turner, Harrison Ford, and many, many more – but somehow it still felt to me at the time that these had always been around.

Because, for someone born in 1975, they kinda had.

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Six Damn Fine Degrees #181: Reduce it to its bones

The story goes that Bruce Springsteen recorded his darkest album Nebraska (1982) in his bedroom, most of it in one day. There are absolutely no adornments, no frills, just his voice and his guitar, sometimes a short bit from his harmonica, not much more. He intended those recordings as demo versions, but they just wouldn’t fly when he played them together with his E-Street Band. So the demo version it was for the album for almost all of the songs. Because the Boss is strumming away on his guitar, the effect is one of being there listening, as if it was a live album in a more unusual sense of the word. The same is true for the Cowboy Junkies’ debut album The Trinity Sessions (1988), which was recorded live in Toronto’s Church of the Holy Trinity, and the band gathered around the only microphone. Like with Springsteen’s album, there is an immediateness that would be hard to replicate in any studio.

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