The Compleat Ingmar #35: Cries and Whispers (1972)

While the supposed heaviness of Bergman’s filmography is frequently exaggerated (or am I the only one who finds The Seventh Seal with its snarky Death entertaining, even if the film undoubtedly isn’t a laugh riot beginning to end?), it is certainly true that many of his films deal with heavy themes. Mortality in the abstract is a frequent motif, but so is death in the very concrete. And death in Bergman’s films may never have been as harrowing as in his 1972 film Cries and Whispers, the first half of which depicts the suffering and agony of Agnes, one of its four main characters.

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