A Damn Fine Cup of Culture Podcast #70: Summer of Collaborations – Akira Kurosawa and Toshiro Mifune

After the inaugural episode of our Summer of Collaborations (starting with Spencer Tracy and Katharine Hepburn), we’ve arrived at the second instalment of our summer series, this time focusing on a collaboration that gave us iconic performances and classic films across a range of genres – though the one that perhaps comes to mind first is that of Jidaigeki (Japanese period drama), and more specifically, the samurai film. We are, of course, talking about the films resulting from the collaboration between Akira Kurosawa and Toshiro Mifune. Join Alan, Julie and Matt as they discuss Rashomon (1950), a film that mixes genre to such an extent that Wikipedia describes it, inadequately, as a “Jidaigeki psychological thriller-crime film”; Yojimbo (1961), the action-packed samurai film that Sergio Leone’s A Fistful of Dollars stole from liberally; and High and Low (1963), a police procedural crime drama about a botched kidnapping. What made the collaboration between Kurosawa and Mifune work so well? How does it develop over these three films? And just how does Mifune manage to look so damn cool wearing a threadbare kimono and stroking his chin?

For last year’s summer series of podcasts, check this link:

A Damn Fine Cup of Culture: Summer of Directors (2022)

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How to recognise Star Wars from quite a long way away

This may sound a tad hypocritical after my critique of Rise of Skywalker a few days ago, but I don’t envy J.J. Abrams. In fact, I don’t envy anyone engaged in delivering new Star Wars content to a 2020 audience, a task that I imagine to be very similar to feeding the hungry inhabitants of a lion pit while dangling from a slender, fraying rope. The problem is this: what is Star Wars, what constitutes proper Star Wars? These are questions that a vast number of fans with different levels of zealotry and entitlement will answer very differently – but when George Lucas released his prequels to, let’s say, mixed results, the megaphone/Death Star combo that is Twitter didn’t yet exist. These days, creating, or even just acting in, a Star Wars thing that some people dislike can pretty much result in this:

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