Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.
Let’s start the week with a bit of opera: on New Year’s Day in 1975, Ingmar Bergman’s The Magic Flute premiered on Swedish television. Almost 47 years later, Matt watched the film as part of his Swedish odyssey and wrote about it on A Damn Fine Cup of Culture. The Magic Flute‘s plotis strange, bordering on the nonsensical, but Bergman’s adaptation has a lot of charm.
Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!
Do you remember when you first saw the original Star Wars trilogy? Did you possibly even see it when it first came out or, if not, at least upon the movies’ return to the cinema in their ‘improved’ version in the late 1990s? I was among the many who had gotten used to bad video tape quality since the late ’80s and was stunned when eventually seeing them on the big screen, just before the disappointment of Episode I (The Phantom Mess) hit. Even trying to think really hard, however, I can’t remember my first reaction to the big plot twists: did I suspect Darth Vader was Luke’s father? Or Leia his twin sister? Did I believe Vader would redeem himself at the end? And did I mind (as Matt so poignantly asked in last week’s post)?
This may sound a tad hypocritical after my critique of Rise of Skywalker a few days ago, but I don’t envy J.J. Abrams. In fact, I don’t envy anyone engaged in delivering new Star Wars content to a 2020 audience, a task that I imagine to be very similar to feeding the hungry inhabitants of a lion pit while dangling from a slender, fraying rope. The problem is this: what is Star Wars, what constitutes proper Star Wars? These are questions that a vast number of fans with different levels of zealotry and entitlement will answer very differently – but when George Lucas released his prequels to, let’s say, mixed results, the megaphone/Death Star combo that is Twitter didn’t yet exist. These days, creating, or even just acting in, a Star Warsthing that some people dislike can pretty much result in this: