A Damn Fine Espresso: July 2022

A Damn Fine Cup of Culture has talked about musicals before – but this month’s espresso is a special treat: Alan has seen the production of Cabaret that is currently being shown at the Playhouse Theatre in London. He and Julie talk about the production and how it compares to Christopher Isherwood’s original stories that Cabaret is based on, as well as the 1972 film by Bob Fosse, featuring Liza Minelli in her iconic turn as Sally Bowles. How do the various production choices change the characters and the overall depiction of Berlin during the Weimar Republic? And, obviously, what are Alan’s thoughts on the stage production: is this time jump to 1929 Berlin worth taking if you happen to find yourself in London?

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Six Damn Fine Degrees #27: Fear of a Camp Planet

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Camp, adj. - Ostentatiously and extravagantly effeminate (typically used of a man or his manner); ... deliberately exaggerated and theatrical in style. (Definitions from Oxford Languages)

For the longest time, I would shy away from a lot of media that I associated with camp. From what little I could see, I thought it was tacky, in poor taste and attention-grabbing: “Look at me! I’m in your face! I’m different – and I’m unafraid to be different!”

I’m still not automatically a fan of things that I consider ostentatious and in-your-face, and I guess there is a lot of camp that leaves me non-plussed. But that’s true for a lot of art – and it’s not necessarily a bad thing. If I’m entirely honest: looking back, I wonder how much of my negative reaction to it was that, as little as I like to acknowledge it, young Matt was a teensy bit of a homophobe.

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