Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!
Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!
“She could reveal to an audience the tragedy of the human condition and do it by being a supreme comedienne” ~ Paddy Chayefsky on Thelma Ritter.
The term ‘character actor’, when applied to women, too often only implies a woman of a certain age. The one who doesn’t get to be the lead, who doesn’t get her own movie romance. If, that is, there are even any parts for her at all. The one who is ‘just’ there for support. But these actors not only have to hold their own against the lead every moment they are on screen, they need to knock it out of the park on every single take. And Thelma Ritter is the real deal. Instantly recognisable with her looks, and the way she sounds: instead of having herself made over to be more palatable for the public, she embraced these things to great effect. Every scene she was in, even her uncredited early roles, however brief, are memorable.
Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!
Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.
As with our September shot of espresso, in which we talked about the first season of the adaptation of Neil Gaiman’s Sandman, we’re staying in the land of Netflix: this month Julie and Alan talk about Andrew Dominik’s Blonde – again an adaptation, this time of Joyce Carol Oates garage-sized novel. What did our cultural baristas think of Dominik’s much-debated and much-derided film? Spoiler: though the two come at the film from slightly different perspectives, neither is a big fan of the film. Join them for their discussion about Ana de Armas’ performance, biopic vs Hollywood fable, and (of course) all the talking fetuses you want!
Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.
2020 being the year in which you make plans only to see them dissolve, we originally had a different topic and guest planned for the September episode – but Robert Burns had it right after all… which means we took the opportunity to bring back Alan and talk about one of the greatest icons of Hollywood cinema: Marilyn Monroe. Join us in a trip through Marilyn’s filmography, as we wonder what could have become of the actress if her life hadn’t cut tragically short.
Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest installment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.