I’ll be in my trailer… watching trailers: And now for some animated conversation

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Does Death only play chess? Or could he also be talked into a different challenge, say, Mario Cart or Goldeneye on the Nintendo 64? Then again, if you’re a Swedish knight returning home from the Crusades, it’s probably the Game of Kings that lends itself to the situation. So yes, you’ve probably guessed correctly: The Seventh Seal was the most recent stop on Matt’s travels with Ingmar. Hey, it doesn’t get much more iconic than that!

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I’ll be in my trailer… watching trailers: By the time you watch ’em, one of these may have won an Academy Award!

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Our week at A Damn Fine Cup of Culture began with singing, dancing, rain – and Matt’s ambivalence about cinemas opening again in Switzerland, in spite of a shaky epidemiological situation. But let’s not let this distract us too much from the glory of seeing Singin’ in the Rain live on a cinema screen!

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I’ll be in my trailer… watching trailers: Heroes, villains and wolves

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

We’re afraid that this week wasn’t particularly fruitful in terms of posts. What can we say – it’s been a busy time, for various reasons. Or perhaps there were more posts, but then some big, mean, purple-chinned alien warlord snapped his fingers and half the posts vanished into thin air? (And here’s a small reminder that we did two podcasts on Avengers: Infinity War and Avengers: Endgame, and those haven’t been snapped away.)

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I’ll be in my trailer… watching trailers: Don’t give up the ghost

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Do you know how difficult it is to get your hands on trailers for video games before, say, 1995? The short and boring answer is: pretty difficult. If we wanted to present a trailer for one of the Ultima games featuring the Guardian, the series’ long-time antagonist, we’d have to resort to an ultra-low resolution video for Ultima IX, and that’d be in no one’s interest. (Also, we already posted that one last week.) So instead, here’s a very loosely related trailer for The Texas Chainsaw Massacre II, which didn’t just feature one Dennis Hopper, but also Bill Johnson, who would later voice the Guardian. These days, we get the likes of Willem Dafoe and Liam Neeson in video games, but in 1992 we had to make do with the guy who played Leatherface.

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I’ll be in my trailer… watching trailers: Hungover cops can’t jump

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

1994 saw a great disturbance in computer games, as if thousands of geeks suddenly cried out in disappointment and then fell silent – most likely because their Avatar had just failed to successfully jump from one small rock to another. Back then, reloading a save game wasn’t just a matter of seconds: it was a commitment, and the more time you’d already sunk into a game like Ultima VIII, the less likely you were to stop playing, especially if you’d paid close to a hundred dollars, and doubly so if you were a fan of the Ultima series of computer role-playing games. This week, Eric wrote about his memories of his first big computer game disappointment, and it is a pain that many fellow geeks felt at the time.

This was before computer games received trailers, so instead, let’s start this week’s post with the trailer issued for its sequel, and the final single-player Ultima game – which (wait for it) turned out to be even worse in some ways. But hey, at least it wasn’t quite as much of an active exercise in masochism!

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I’ll be in my trailer… watching trailers: In the Heights, everyone can hear you sing

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Maybe Matt shouldn’t play games during a pandemic – because it seems that he mostly picks ones that translate this whole ‘social distancing’ thing into a video game format: first Journey, then Everybody’s Gone to the Rapture. Turns out that the most social contact he’s had in a game recently was in the ultra-Swiss folk horror game Mundaun, a grim little tale about deals with mysterious old men and disembodied goat heads that nonetheless talk fluent Romansh. At least that’s not something that the COVID-19 pandemic has been particularly well known for!

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I’ll be in my trailer… watching trailers: Do you think death could possibly be a boat?

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Last week it finally happened: A Damn Fine Cup of Culture was deemed too raunchy by Facebook. Okay, that may not be quite accurate – truth be told, we will probably never know why Facebook suddenly decided that we’d violated their T&Cs with the name of our page. Was it the “damn”? Was it that we made claims to the extraordinary quality of our cups of culture? Or was it something else entirely, like the wrong number of capitals? Anyway, we are now back on Facebook, complete with what some people might consider naughty words in our name. Let’s see what Mark Z comes up with next, shall we?

All of this happened on the same day that Sam posted another wonderful instalment of Six Damn Fine Degrees, in honour of two of the Grande Dames of dubbing: Marni Nixon, who featured in many a film musical without getting the credit she deserved, and Nikki van der Zyl, the woman who gave a voice to so many Bond girls. We can hear a (sadly, very small) handful of her lines dubbing Ursula Andress in the trailer for the Bond film that started it all, Dr. No.

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I’ll be in my trailer… watching trailers: Taking the Mickey – right out of the trailer

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

This was a remarkably busy week at A Damn Fine Cup of Culture, starting with three journeys – into pre-history, a Jules Verne-style alternate past, to the moon, and beyond! Matt wrote about his encounters with Karel Zeman’s oeuvre in the beautiful Criterion edition of three of his key films. (We would say that you should Czech this out, but obviously we’re above such cheesy puns.)

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A Journey through Worlds of Wonders: Three Films by Karel Zeman

At the very least since I first watched Star Wars recorded off ITV onto a Betamax video tape, I’ve had a keen interest in special effects, and in films that use special effects to create unique and different worlds and beings. In this respect, though, the last twenty years or so have been something of a disillusionment: while CGI visual effects have become more and more realistic and indistinguishable from reality, they only rarely recapture one of the things I enjoyed most as a kid. See, the kind of special effects I’ve enjoyed most were never about verisimilitude, at least not first and foremost. A fantastic world is made believable and engaging by the imagination going into it more than by the number of pixels and shaders. And sure, I prefer a well-made green screen effect providing the illusion that those kids on broomsticks can really fly to a bad green screen effect aiming for the same thing and failing, but the special effects that stick most in my mind are the ones that transport me to a different, more interesting world – and that can be achieved by miniature spaceships suspended on threads you can make out if you look closely.

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I’ll be in my trailer… watching trailers: In Cold Blood, in more ways than one

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

This has been a relatively quiet week at A Damn Fine Cup of Culture, but we did have a tribute to the wonderful Toby Jones in Friday’s instalment of Six Damn Fine Degrees. Jones lost the Battle of the Capotes in the mid-Noughties, and his Infamous was pretty much overshadowed by Capote, which came out the year before, but that’s all the more reason to give Jones his due here.

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