Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

While reading Matt’s musings about the heist movie genre and Steven Soderbergh’s knack for it, my head was inevitably raided by musical themes: jazzy and cool, funky and bold, sneaky and witty they were – and all wonderfully descriptive of the act of boldly scheming, meticulously planning and sneakily (or spectacularly) executing! Is it a coincidence that a large majority of the most popular heist movies are associated with scores that often remained the most memorable aspect about the films? Maybe the indelible combination of suspense, anticipation and audacity is among the most fruitful contexts for a composer to create dynamic and energetic themes.

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