Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.
And our Summer of Directors continues: after celebrating the tactility of Jane Campion’s films last month, we continue with a very different kind of physicality, with the variform violence done to bodies and minds in the phantasmagoric cinema of Italian filmmaker Dario Argento. Join Sam, Julie and Alan as they dissect a trio of Argento’s films, from giallo classic The Bird with the Crystal Plumage (1970) via Deep Red (1975) – a film called by some the best giallo ever made – to perhaps the most famous film by Argento, the supernatural horror film Suspiria (1977). What makes these films potent to this day? How important is plot to an Argento film? How much of a successor was the director to Alfred Hitchcock? Just what is “impure cinema”? And just how does our gang draw a direct line from classic movie musicals to Dario Argento’s films?
For our April episode, we’re revisiting a classic from Hollywood’s Golden Age, featuring one of American cinema’s golden couples: The Big Sleep, starring Humphrey Bogart and Lauren Bacall. Will you finally find out who killed the chauffeur? Now, that would be telling… In addition, Mege reports from a somewhat uncanny dancing school in 1970s Berlin after watching the recent Suspiria remake, Julie investigates the Basil Rathbone Sherlock Holmes films and Matt goes slightly cubist after visiting a nearby Pablo Picasso exhibition.
It’s saying something if the first thing I remember about the movie year 2018 is not a movie, but a character. Thanos looms large – how could he not? With one fell swoop, Marvel solved its most prominent problem and made very, very sure that we wouldn’t forget their biggest, baddest baddie. He has depth – I believe him when he says that he fulfills his mission partly against his own will, and that it cost him everything. And he – goddamn it – is successful. Of course, my experience of Avengers: Infinity War was deeply colored by my favorite daughter sitting beside me who couldn’t believe that half her favorite MCU characters went up in ashes. Maybe this was this generation’s Bambi. Continue reading →