A Damn Fine Espresso: February 2024

Much as with Pringles, the problem with musicals is this: once you’ve enjoyed one or two, you can’t just stop. Earlier this month, Sam and Matt gave two movie musicals a second chance: A Chorus Line and Dancer in the Dark. While they didn’t necessarily come away from this with a renewed appreciation of those films, it felt to them that their conversation ended way too soon – so they went back to the well to talk about their formative experiences with the genre. Which musicals did they watch growing up? How did they come to appreciate the genre? How have they experienced the difference between musicals on screen and on stage? From Jesus Christ Superstar to Aladdin, from Fiddler on the Roof to Cabaret and Victor/Victoria: how did Matt and Sam learn to stop worrying and love a good musical?

(And, as before, if you’re looking for more musical talk, make sure to check out our episode #41 from 2021: The Musical Episode!)

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I’ll be in my trailer… watching trailers: Music and moonlight and love and romance

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

On A Damn Fine Cup of Culture, this week began and ended with music. Early in the week, Matt explained in a post why he thought the original soundtrack of Netflix’ The Crown, while undoubtedly effective much of the time, acted as something akin to acoustic soy sauce, making everything taste the same.

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