Six Damn Fine Degrees #288: For the love of Elizabeth Taylor

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Image: Bettmann/Getty Images, via Vanity Fair
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I’ll be in my trailer… watching trailers: In brightest day, in blackest night

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

How do you remember your teenage years? Matt remembers them being heavily pixelated – which gave him an ideal in into the time capsule that is Perfect Tides.

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Six Damn Fine Degrees #287: Age perfect?

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Extreme close-up on the face of Martha (Elizabeth Taylor) as the first sunlight hits the garden behind her. Soon a ray catches her tired, ragged, desperate face. An excruciating night of middle-aged drinking lies behind her now, behind George (Richard Burton), her dishevelled yet razor-sharp husband of many years, who has dealt Martha his final blow in their night-long cruel games, innuendos and infidelities. Martha seems a broken woman now as she slowly recuperates from her sobs and the two look on into an uncertain older age. Fade out and credits over Alex North’s deceptively beautiful harp and guitar elegy that brings Who’s Afraid of Virginia Woolf (1966) to a shattering close.

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I’ll be in my trailer… watching trailers: Every time a bell rings…

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

There are cities that were practically created to be on film: think London, think Paris, think New York. And definitely think Berlin, as Sam convincingly argues in this week’s Six Damn Fine Degrees.

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Six Damn Fine Degrees #177: The definitive version

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

Even though these days I’m much more about film and TV, there was a time when literature came first for me. I studied English and American Literatures (as it was called at the time), and later I taught the subject. I had much more time – and, frankly, energy – to read a lot… and even better, while working at uni I was paid to read. And teach, do research, supervise and counsel students, do some admin, assist the professor who was supervising my PhD thesis. I didn’t love every single one of those tasks, certainly – but still, it was a very good time for someone who loved books.

It’s also during that time that I started to get into drama in earnest. Our department had a fairly active drama community, and while I never felt 100% comfortable being on stage myself, this is where I discovered how much I enjoy directing. Sadly, that’s something that didn’t survive my move into other professions: like so many, I had a choice between staying in academia, which would have come at a personal price I wasn’t willing to pay, or leaving and doing other kinds of work, and it’s the latter that won out. I miss a lot about my years working at university (and this site and our podcast are to some extent my way of making up for what I left behind), but I never regret the choice itself.

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