Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Carole Lombard’s unique status as the lady of screwball comedy, as well as her unexpectedly salty sense of humour and use of language, were at the centre of last week’s post. It reminded me, of course, that the final comedic performance released during her lifetime – before it was tragically cut short by the infamous Nevada plane crash in 1941 – was Mr. and Mrs. Smith, Alfred Hitchcock’s one and only pure foray into pure American screwball (and now annoyingly mixed up with the 2005 Brangelina flick of the same name). Even though Lombard’s penultimate performance is easily eclipsed by her last role in Lubitsch’s To Be or Not to Be, I thought that reevaluating her Hitchcock role was certainly worth my while, especially since it’s one of the most overlooked and most easily criticised Hitchcock entries.

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