Six Damn Fine Degrees #62: The Cat’s Meow

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Peter Bogdanovich is probably best known for his early films such as The Last Picture Show or Paper Moon, although to a modern audience his face might be most recognizable as Dr. Elliot Kupferberg, the psychiatrist’s psychiatrist in The Sopranos. For all his many accomplishments I am perhaps most fond of his interviews. Books such as Who the Devil Made It or Who the Hell’s in It. His epic three-hour interview with Orson Welles, or the wistful Directed by John Ford. Bogdanovich was not just a filmmaker, he was a lover of movie culture and – notably – of movie lore.

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The Rear-View Mirror: Mildred Harris (1901)

Each Friday we travel back in time, one year at a time, for a look at some of the cultural goodies that may appear closer than they really are in The Rear-View Mirror. Join us on our weekly journey into the past!

“You can’t use my name in your pictures!”, said Charlie Chaplin and charged.

At the Alexandria Hotel, on the 7th of April 1920, Louis B. Mayer stuck out his fist just in time for an irate Charlie Chaplin to barrel into it. Chaplin had ordered Mayer to take off his glasses to aim a punch: both men fell, and had to be escorted out. The reason for this kerfuffle, meanwhile, was 800 miles away, dancing the foxtrot with the Prince of Wales. The famously belligerent producer had signed one Mildred Harris Chaplin for the sum of 50.000 dollars a picture, plus a percentage, to be able to use the Chaplin name.

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