A Damn Fine Espresso: May 2024

It’s not that much of a jump from last month’s espresso topic of cinematic women behaving badly (well, at least in the eyes of the society) to this month’s theme. Over the last month or so, the best cinema in the world showed a series of films by the American director Dorothy Arzner, who was mainly active from the 1920s to the early 1940s. Arzner stands out not only as a female director who helped launch the careers of actresses such as Katharine Hepburn, Rosalind Russell and Lucille Ball, her films are also impressively ahead of their time in terms of their depiction of women and their critique of marriage and of heteronormative pairings as the sole path to contentment. Working in genres from screwball comedy and melodrama to literary adaptation and war films, and being more than willing to blend genres and tone, Arzner directed films that both reflect their times and feel strikingly modern. Join Julie and Matt as they discuss some of Arzner’s greats, from Dance, Girl, Dance to Merrily We Go to Hell, and from Working Girls to the flawed but fascinating Christopher Strong and Craig’s Wife.

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A Damn Fine Espresso: April 2024

We’ve got a special treat for our April espresso podcast: say hello to Marcy Goldberg, Swiss-Canadian film historian, lecturer and media consultant. Marcy recently talked to the London-based author, critic and podcaster Anna Bogutskaya at a panel discussion organised by the Filmpodium Zürich. The Filmpodium is currently running a series of films in connection with Bogutskaya’s first book, Unlikeable Female Characters: The Women Pop Culture Wants You to Hate (published in 2023). For our podcast, Marcy joins Julie and Matt to talk about Bogutskaya’s book, and about the women in film and TV that are scorned by some, celebrated by others, for being unapologetically angry, horny, ambitious, and sometimes downright crazy and/or murderous. What makes a female character unlikeable? Why are women judged differently for actions and attitudes that men are allowed to get away with? And what does this say about cinema and about our culture?

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A Damn Fine Espresso: March 2024

It’s the weekend before the Big Mama, the White Whale, the movie awards to end all movie awards: the Oscars. Who will win the Academy Awards 2024? Will Christopher Nolan And Cillian Murphy explode with the metaphorical force of a thousand suns? Will Barbie get what it can, in spite of the snubs for its director and star? What about Poor Things, Killers of the Flower Moon, Maestro, The Holdovers – or the European dark horses Anatomy of a Fall and The Zone of Interest? Join Sam and Matt as they discuss their own Oscar thoughts: who was snubbed? Who was nominated but shouldn’t have been? And which films should win which awards?

For more discussion of some of the 2024 Oscar favourites and underdogs, make sure to check out these posts:

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A Damn Fine Espresso: February 2024

Much as with Pringles, the problem with musicals is this: once you’ve enjoyed one or two, you can’t just stop. Earlier this month, Sam and Matt gave two movie musicals a second chance: A Chorus Line and Dancer in the Dark. While they didn’t necessarily come away from this with a renewed appreciation of those films, it felt to them that their conversation ended way too soon – so they went back to the well to talk about their formative experiences with the genre. Which musicals did they watch growing up? How did they come to appreciate the genre? How have they experienced the difference between musicals on screen and on stage? From Jesus Christ Superstar to Aladdin, from Fiddler on the Roof to Cabaret and Victor/Victoria: how did Matt and Sam learn to stop worrying and love a good musical?

(And, as before, if you’re looking for more musical talk, make sure to check out our episode #41 from 2021: The Musical Episode!)

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A Damn Fine Espresso: January 2024

For our first espresso podcast episode in 2024, Julie and Sam sit down together over a virtual coffee to talk about the Austrian director G.W. Pabst (1885 – 1967). Taking Pabst’s silent film classic Pandora’s Box (1929, adapted from Frank Wedekind’s play Lulu) as a starting point, the two discuss the director’s career as a filmmaker during the Weimar Republic, his emigration from but later return to Nazi Germany, and his filmmaking under the Nazi regime and the auspices of the Ministry of Propaganda led by Josef Goebbels, but also the recent novel Lichtspiel, a fictionalised biography of Pabst, written by Daniel Kehlmann. How does a filmmaker go from making progressive, formally daring and even scandalous cinema criticising the society of its day to becoming an accomplice to the propaganda machinery of the Third Reich?

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A Damn Fine Espresso: December 2023

In a little over a week it’s Christmas – and what goes together better than Christmas and forging signatures, telling lies, impersonating practically anybody… and a little murder? Matt’s recently had an opportunity to check out the film adaptations of the adventures of a very naughty boy: Patricia Highsmith’s Tom Ripley. In this month’s espresso podcast, join Matt and Sam as they talk about these adaptations that vary massively in tone, theme and quality: from Plein Soleil (AKA Purple Noon) and The American Friend to Ripley’s Game and Ripley Under Ground – not missing out The Talented Mister Ripley, of course. It’s a rare case that a series of novels is adapted not into a series of films but into very different individual movies, all treating their central character very differently. How talented are these various Ripleys, whether they’re played by Alain Delon, Matt Damon, Dennis Hopper, Barry Pepper or John Malkovich?

For a deep dive specifically into The Talented Mister Ripley and its two famous movie adaptations, make sure to check out our podcast from way back in June 2021: Ripley vs Ripley.

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A Damn Fine Espresso: November 2023

It’s the film that everyone’s had an opinion on, not least the devout Marvel fans and people who want an opportunity to go to the restroom during films of epic length: Martin Scorsese’s Killers of the Flower Moon. Join Sam and Matt for their discussion of Scorsese’s latest. How did the film land for a fan of the iconic American director, and what are the reactions of someone who isn’t so much into Scorsese’s world of toxic masculinity and backroom dealings? Where do they stand on the question of whether Killers of the Flower Moon needs its length (and being uninterrupted) to have the intended impact on the audience or whether it would have been improved by being shorter? What did they think of the performances of Scorsese stalwarts Robert De Niro and Leonardo DiCaprio, and of new faces Lily Gladstone and Jesse Plemonds? And what’s their take on that ending and on the director literally having the final word of the film?

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A Damn Fine Espresso: October 2023

Do vampires get jealous that Dracula tends to hog all the attention? In this month’s espresso episode, Matt and Julie try to make up for this; after the most recent podcast featured not only one but three Draculas (in some cases under a different name, for copyright reasons), we’re returning to the pulsating vein of vampire fiction to talk about some other stories with a bite that deserve as much attention as the Count. (The impaling one, that is, not the one who’s into numbers and stuff.) From Jim Jarmush’s Only Lovers Left Alive to the ultra-’90s British series Ultraviolet (featuring a pre-True Blood Stephen Moyer) via the likes of Tomas Alfredson’s Let the Right One In and Cronos, we explore the crypts and mausoleums where those endowed with big fangs go right for the jugular. Join us – and don’t forget to pack some garlic and a crucifix

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A Damn Fine Espresso: September 2023

Travels with our Sam: our resident James Bond expert/soundtrack fiend went back to La La Land itself for his summer holidays. Want to find out what Sam did on his hols? Join him and Julie as they talk about Sam’s SoCal adventures: bumping into movie stars at Starbucks, checking out the rides and the studio tours (but failing to find a good studio shop – what’s wrong with you, Hollywood?!), and finding the coolest ever record store with the oldest ever shop attendant. We hope you enjoy this latest espresso of a podcast episode as much as Sam obviously enjoyed his LA vacation!

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A Damn Fine Espresso: August 2023

What’s giddy, grim, and black and white and pink all over? You’ve guessed it: just when the discourse has died down, A Damn Fine Cup of Culture goes all Barbenheimer on y’all. Join Alan and Matt as they talk about their impression of the memetic phenomenon of 2023 and discuss Greta Gerwig’s ultra-meta toy ad Barbie and Christopher Nolan’s ultra-Nolany drama Oppenheimer. Just why did these two films capture audiences’ imaginations to the degree that they have? Does Oppenheimer escape the traps of conventional biopics? Does Barbie manage to find a good balance between comedy, drama and message movie? And what other films should be combined into similarly striking (or strikingly mismatched) double bills?

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