Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.
Talia Shire is one of those actors that rarely get the limelight, yet in the right part they’re absolutely essential to the functioning of the film they’re in. Take Rocky, in particular: while Stallone works fantastically well (these days, it’s easy to forget what he could bring to a film), without Shire, the film wouldn’t work nearly as well. On Friday, Sam wrote about her contribution, to Rocky as well as to the Godfather films, and it’s a great reminder of Shire and her roles.
For our June episode, we’re sending the cultural baristas on a holiday in sunny Mongibello, Italy, where rich, pretty young ex-pats spend their time and money on the beach – though there are others who may be less harmless… Patricia Highsmith’s 1955 novel The Talented Mr Ripley was turned into two films: René Clément’s Plein Soleil (released as Purple Noon in the English-speaking world, in spite of a distinct absence of purple-hued noons), starring a young Alain Delon, and Anthony Minghella’s 1999 adaptation, which took the title from Highsmith’s book, featuring Matt Damon, Jude Law and Gwyneth Paltrow. Ripley is a fascinating character, a sociopath reflecting the identities of those around him back at them, and it’s fascinating to compare these two very different interpretations of the character. Join Sam, Julie and Matt as they sail the treacherous waters of the mid-20th century Mediterranean and compare the talents of the various Messrs Ripley!
I must have seen All About Eve at least half a dozen times so far. Its writing retains the sharp wit it had when I first saw it, its performances still shine: Bette Davis is perfect as Margo Channing and delivers Joseph L. Mankiewicz’ lines with relish, but the rest of the ensemble, just as central to the success of the film, is also top-notch. As a piece of filmmaking, All About Eve may not be as audacious as its contemporary Sunset Boulevard, Billy Wilder’s 1950 caustic tale of an ageing actress, but its appeal has not diminished. I had the opportunity to see it again a few days ago – while cinemas are open again in these parts, you’re more likely to find them showing older films rather than new releases – and it remains a delight.
It has taken me these half a dozen viewings, however, to come to the realisation that All About Eve shares some striking similarities to Patricia Highsmith’s thriller The Talented Mr Ripley (and, to a lesser extent, the film versions made of Highsmith’s novel) and that the title characters of the two works can be seen as mirror images of each other.
Todd Haynes’ Carol is a great way to end your movie year, or to start the new one. The movie works well on many levels, the most noteworthy of which is that Cate Blanchett’s role as the title character seems to have been written for her. It wasn’t – the movie is based on Patricia Highsmith’s novel The Price of Salt from 1952, but I couldn’t see anybody else in that role.