Anyone you can be, I can be better: All About Eve and The Talented Mr Ripley

I must have seen All About Eve at least half a dozen times so far. Its writing retains the sharp wit it had when I first saw it, its performances still shine: Bette Davis is perfect as Margo Channing and delivers Joseph L. Mankiewicz’ lines with relish, but the rest of the ensemble, just as central to the success of the film, is also top-notch. As a piece of filmmaking, All About Eve may not be as audacious as its contemporary Sunset Boulevard, Billy Wilder’s 1950 caustic tale of an ageing actress, but its appeal has not diminished. I had the opportunity to see it again a few days ago – while cinemas are open again in these parts, you’re more likely to find them showing older films rather than new releases – and it remains a delight.

It has taken me these half a dozen viewings, however, to come to the realisation that All About Eve shares some striking similarities to Patricia Highsmith’s thriller The Talented Mr Ripley (and, to a lesser extent, the film versions made of Highsmith’s novel) and that the title characters of the two works can be seen as mirror images of each other.

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Carol for Christmas

Todd Haynes’ Carol is a great way to end your movie year, or to start the new one. The movie works well on many levels, the most noteworthy of which is that Cate Blanchett’s role as the title character seems to have been written for her. It wasn’t – the movie is based on Patricia Highsmith’s novel The Price of Salt from 1952, but I couldn’t see anybody else in that role.

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