I’ll be in my trailer… watching trailers: All you’ll be eating is cannibals

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

If the past is a foreign country: how do we watch films that are approaching their hundred-year anniversary? While working on his Criterion backlog, Matt recently watched Show Boat, but while there are things there to enjoy without knowing the historical context intimately, the musical’s handling of the United States’ history of slavery and racism is a mixed bag, and it’s not always easy to look past what is problematic at the things that may be surprisingly progressive. And some scenes manage to tick both of those boxes at the same time.

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Six Damn Fine Degrees #122: You can be my bad guy any time

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Lock up your daughters (and your sons, quite possibly) – the British are coming! It’s pretty much impossible to watch Alfred Hitchcock’s North by Northwest and not be bowled over by the suave charms of its British star. That voice, the confidence, and the man certainly knows how to wear a suit.

But enough about James Mason. Cary Grant is also pretty good in the film.

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A Damn Fine Cup of Culture Podcast #33: The Good, the Bad and Alfred Hitchcock

d1ad56da-abce-4afe-9f45-79294aede9e3We have had a certain Norman Bates over for a fresh, hot cup of culture before, but this is the first time we’re dedicating an entire episode to the Master of Suspense himself – and, more specifically, to good gals, good guys and villains in three films by Hitchcock. From Ingrid Bergman, Cary Grant, Claude Rains and the ambivalent love triangle of Notorious to the wild ride and camp masculinities of North by Northwest and the shattered allegiances and mummy issues of Psycho (but then, it’s mother issues all the way down in Hitchcock, isn’t it?), join us – and our guest for June, Sam – for a chat about the good, the bad and Alfred Hitchcock!

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d1ad56da-abce-4afe-9f45-79294aede9e3We have had a certain Norman Bates over for a fresh, hot cup of culture before, but this is the first time we’re dedicating an entire episode to the Master of Suspense himself – and, more specifically, to good gals, good guys and villains in three films by Hitchcock. From Ingrid Bergman, Cary Grant, Claude Rains and the ambivalent love triangle of Notorious to the wild ride and camp masculinities of North by Northwest and the shattered allegiances and mummy issues of Psycho (but then, it’s mother issues all the way down in Hitchcock, isn’t it?), join us – and our guest for June, Sam – for a chat about the good, the bad and Alfred Hitchcock!

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It’s the pictures that got small

This week I saw my first Hitchcock on the big screen. I grew up in the ’80s, which meant that I first and, more often than not, only saw the classics of cinema on TV – and in the ’80s that meant, what, screens that were 30 inches across if you were lucky? TVs were big, bulky monstrosities, but the screens weren’t particularly big – which was good, really, because television channels broadcast images that were relatively fuzzy. If you sat close enough to the screen so that it filled your field of vision (and you could smell that weird electric smell), what you saw was basically impressionist art.

North By Northwest

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