Criterion Corner: The Trial (#1191)

“Someone must have slandered Joseph K., for one morning, without having done anything truly wrong, he was arrested.”

Back when I went to school, it was clear that, at some point, we would be reading something by Franz Kafka – and, at the time at least, chances were it’d either be The Metamorphosis (published in 1915), in which a man wakes up to find himself changed into an enormous insect, or The Trial (published in 1925), that foundational work of paranoid fiction. If I remember correctly, we ended up reading both, though from the time I mostly remember the 1915 novella, perhaps also because of that memorable MTV short from the channel’s “Feed Your Head” series. But while The Metamorphosis still has that deliciously fantastic angle of a man turning into a bug (admittedly, at my current age I find that premise less fantastic than I did as a teen), arguably it’s The Trial that feels the most universal – and its footprints can be found across culture and cinema.

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Six Damn Fine Degrees #149: Psycho III

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

You’ll almost certainly have seen Psycho. Alfred Hitchcock’s 1960 early slasher horror classic. And you’ll also probably have seen enough horror sequels in your time to know the score that, if there is one thing that virtually all such follow-ups are guilty of, it’s predictability. The studio will have realised that there’s a market for a certain type of terrifying carnage so they’ll cut and paste those visceral thrills into the sequel. 

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A Damn Fine Cup of Culture Podcast #33: The Good, the Bad and Alfred Hitchcock

d1ad56da-abce-4afe-9f45-79294aede9e3We have had a certain Norman Bates over for a fresh, hot cup of culture before, but this is the first time we’re dedicating an entire episode to the Master of Suspense himself – and, more specifically, to good gals, good guys and villains in three films by Hitchcock. From Ingrid Bergman, Cary Grant, Claude Rains and the ambivalent love triangle of Notorious to the wild ride and camp masculinities of North by Northwest and the shattered allegiances and mummy issues of Psycho (but then, it’s mother issues all the way down in Hitchcock, isn’t it?), join us – and our guest for June, Sam – for a chat about the good, the bad and Alfred Hitchcock!

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d1ad56da-abce-4afe-9f45-79294aede9e3We have had a certain Norman Bates over for a fresh, hot cup of culture before, but this is the first time we’re dedicating an entire episode to the Master of Suspense himself – and, more specifically, to good gals, good guys and villains in three films by Hitchcock. From Ingrid Bergman, Cary Grant, Claude Rains and the ambivalent love triangle of Notorious to the wild ride and camp masculinities of North by Northwest and the shattered allegiances and mummy issues of Psycho (but then, it’s mother issues all the way down in Hitchcock, isn’t it?), join us – and our guest for June, Sam – for a chat about the good, the bad and Alfred Hitchcock!

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A Damn Fine Cup of Culture Podcast #24: Psychopaths (1)

d1ad56da-abce-4afe-9f45-79294aede9e3From the Weimar Republic child murderer of Fritz Lang’s M (1931) via Reverend Harry Powell from the dark fairy tale The Night of the Hunter (1955) to Hitchcock’s seminal Psycho (1960) and its twitchy Norman Bates: what better way to celebrate summer with your cultural barristas than with a chat about some good, old-fashioned classic films with and about psychopaths?

We will return to the psycho well to discuss more modern movie psychopaths for our 25th episode, coming to your earbuds this August.

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