I’ll be in my trailer… watching trailers: Time. Space. Music.

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Let’s start the week with a bit of opera: on New Year’s Day in 1975, Ingmar Bergman’s The Magic Flute premiered on Swedish television. Almost 47 years later, Matt watched the film as part of his Swedish odyssey and wrote about it on A Damn Fine Cup of Culture. The Magic Flute‘s plot is strange, bordering on the nonsensical, but Bergman’s adaptation has a lot of charm.

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The Compleat Ingmar #28: The Magic Flute (1975)

In 1975, Ingmar Bergman directed a production of Wolfgang Amadeus Mozart’s The Magic Flute for Swedish television (which was later given a cinema release). I had seen Mozart’s opera before, at the theatre, but that was about 35 years ago. I don’t remember much, other than the relatively sexy outfits the Three Ladies were wearing (or at least what I considered sexy at the age of 11). Having watched Bergman’s screen version, though, I can safely say that The Magic Flute is weird.

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