I’ll be in my trailer… watching trailers: This’ll blow your mind

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

In the blink of an eye, Halloween has been and gone… leaving behind a bunch of carved pumpkins that will look more and more ghoulish over time, and so many blog posts, including this week’s Six Damn Fine Degrees post, written by Alan, Julie and Sam, which focused on all things scary from a range of different perspectives.

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I’ll be in my trailer… watching trailers: This post will self-destruct in five seconds (under the sheer weight of trailers)

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

The novels of Thomas Hardy – in particular his last two, Tess of the d’Urbervilles and Jude the Obscure – are the supreme downers, making you feel for their protagonists and then follow them on their descent into the kind of tragedy that would have made Antigone, Electra and Medea wince. And yet: these are beautifully written books, filled with sadness and anger at a society that chooses cruel judgment over mercy and empathy. Check out this week’s Six Damn Fine Degrees to find out why these books have proven to be so enduring for Matt.

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Six Damn Fine Degrees #190: The Better Stranger Things

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness.

Reading Mege’s critical reappreciation of all Stranger Things from last week, I became aware of how much I had loved that show’s first season. It not only made me a first-time Netflix subscriber but also truly excited me and my friends, leading to numerous binge parties with all the hairs on our necks standing up for most of it. I found the little-boy-lost storyline heartbreaking, the unfolding monstrosities riveting and the bond between the group of friends heartwarming. The ’80s references seemed loving but not overdone and the show came to an almost perfect conclusion.

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I’ll be in my trailer… watching trailers: French bombshells

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

Can you believe that it’s been eight years since Stranger Things premiered? And that it’ll only actually end (if it does) in 2025? Let this week’s Six Damn Fine Degrees take you back to the time when Stranger Things was something to be excited about.

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Six Damn Fine Degrees #189: Stranger Things

Welcome to Six Damn Fine Degrees. These instalments will be inspired by the idea of six degrees of separation in the loosest sense. The only rule: it connects – in some way – to the previous instalment. So come join us on our weekly foray into interconnectedness!

Spoiler warning: I will discuss plot points and revelations from all of Stranger Things‘ seasons, so be warned, or the mind flayer will get you.

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I’ll be in my trailer… watching trailers: Brother Sun, Sister Moon, Uncle Upside Down

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

It’s Easter Sunday, so Sam’s pick for this week’s instalment of Six Damn Fine Degrees is quite fitting: Franco Zeffirelli’s Brother Sun, Sister Moon about the life of Saint Francis of Assisi – a film that Roger Ebert memorably called “an excess of sweetness and light”, with dialogue consisting of “empty, pretty phrasing”. Not all Easter excesses of sweetness consist of too much chocolate pressed into bunny form!

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I’ll be in my trailer… watching trailers: Shave and a haircut…

Join us every week for a trip into the weird and wonderful world of trailers. Whether it’s the first teaser for the latest instalment in your favourite franchise, an obscure preview for a strange indie darling, whether it’s good, bad, ugly or just plain weird – your favourite pop culture baristas are there to tell you what they think.

What better way to start the Sunday trailer post than with barbers and meat pies? I mean, everyone needs to look good and everyone needs to eat – and who’s more aware of this than one Benjamin Barker… though most people might know him better under his alias: on Friday, Julie took our Six Damn Fine Degrees feature to dark places to write about Sweeney Todd.

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Bring me the head of 2016

rogueoneoldstyleposterIn a lot of ways, 2016 was the year to get suspicious about a lot of things, most of all about the future, and maybe some of us even got superstitious a little bit. As far as my movies are concerned, I think I detect a pattern: the two movies I liked best in 2015, Whiplash and Birdman, ran here in January, and 2016 began with Carol and The Big Short, another couple of great movies. Superstition? Coincidence? Perhaps. I can’t quite shake the feeling that this year, you had to dig slightly deeper to find a really good movie. I wrote about The Assassin and American Honey, which are far from light entertainment, but are immensely rewarding and beautiful to look at. I also highly recommend Sing Street for its youthful irreverence and its music; Arrival, for its use of the sci-fi genre to learn a lot more about us humans than about the extraterrestrials (if you haven’t read thirithch’s excellent review, you should do so). And Rogue One, which tried hard not to be a blockbuster and was all the more successful because of it. Continue reading